Rhymes Galore

09/28/2010

As noted by Noz the other day on Twitter, one thing hip-hop has been rather short on in recent years is “characters”. Of course, a lot of ‘em are playin’ roles anyway, but there’s not many who have their own distinctive entertaining personas, images, and rhyme styles. Love her or hate her, Nicki Minaj is one recent artist that falls into that category- as crazy as her voices and facial expressions may be, she commands attention as something different from the crop. Others in the past like Ludacris, Eminem, Redman, ODB, and Biz Markie had similar quirks- even to a point where the more “regular” their music was, the less appealing it was. They were expected to do the unconventional, so the normal shit just never quite hit the same way.

Another artist who also fits this description would be Busta Rhymes. For years, Busta was the one that always came with something different. For that reason, he always had his own lane, no matter what else was poppin’ that particular year. When the whole game went one way, his music went another, without being so over-the-edge that it didn’t still hit. But somewhere within the last five years, while he still has his different moments, he’s become a lot more typical. By comparison, the gun-bustin’, coke-sellin’ Busta hasn’t been clickin’ as well as the Busta that became a household name in the ’90s.

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AllTime8: Shoulda Been A Single

09/25/2010

You ever heard a song on an artist’s album, and wanted it to be the next video, or the song they played on the radio? Well, around the mid-’90s after I got my turntables and went record-coppin’ crazy, I did the same. I always kept up on what all the new singles were, but as I stayed up on those, very rarely was I buying full-length albums. When I did get the albums, being the music nerd I was, I’d try to predict what the forthcoming singles were gonna be. Sometimes, I was correct (D’Angelo‘s “Lady” and DMX‘s “Ruff Ryders Anthem” being two correct guesses I made)… other times, not so. In this installment of the AllTime8, I drop eight instances in which I was wrong, but perhaps should’ve been right. You be the judge…

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Straight Outta LoCash

09/23/2010

Y’know… day to day, I check out hip-hop sites like RapRadar and the message board over at SOHH, and one thing that remains consistent is the amount of criticism a lot of today’s rappers catch. Some of it has to do with the actual music, but most of it has to do with things relating to their personal lives. With the internet bein’ what it is, artists’ lives outside of the studio get put on blast REGULARLY nowadays. It’s interesting though, that some feel like it’s because these artists are just a bunch of sucka-ass niggas, and there was never this much sucka-assness back in the good ol’ days.

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Takin’ It To The Street

09/20/2010

When groups split up, there’s always a main member or two that feel they can go it alone and continue the success. Sometimes they’re right, other times, they’re wrong. In Teddy Riley‘s case, when Guy split up in late ’91, he took a different route. At the time, he was one of the top producers out there and a vocalist in Guy, so he easily could have spun off into a solo career. Instead, he made a move to start another group. Along with Chauncey “Black” Hannibal, Joseph “Street” Stonestreet, and Levi Little, TR kicked off another chapter in his career with BlackStreet.

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After These Messages… We’ll Be Right Back

09/17/2010

Well… the good people at WordPress got the game fukked up again. Things should be back to normal by early next week… until then, all I can do is give y’all some great DLT90s posts you mighta missed if you haven’t been reading since the get-go… so for all of my newer readers, semi-regular readers, etc… here’s a few to grow on in the meantime:

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The Red Moullie

09/13/2010

If I’ve said this 50-11 times already, then y’all won’t mind if I say it again: I’ve been with this hip-hop shit since forever ago. Even when I was like 5, I would like certain songs like “Freaks Come Out At Night” and “Roxanne, Roxanne”, even though I didn’t know any words except for the hooks. I grew to like it more throughout the late-’80s and early ’90s, but the year that locked me all the way in was 1992. That was the winter I started reading The Source, the spring I got hooked on Rap City, and the summer that I spent writin’ my first rhymes.

Over the course of that year, I had a new favorite song every week, but I was specifically heavy into the music of the Hit Squad- a crew of artists led by EPMD. I bought and/or dubbed all their shit that year- Das EFX‘s Dead Serious, K-Solo‘s Time’s Up, and of course, EPMD’s Business Never Personal. But there was one member that really delivered that real-for-real unfukkwittable outlandish shit, and continued to for years after that. It was called Whut? Thee Album, and the artist was Redman.

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Royalty

09/10/2010

1990 was the year that The Fresh Prince became Will Smith, on TV and in his career. Up to that point, he was a popular rapper who’d had a few hits like “Girls Ain’t Nothin’ But Trouble” and “Parents Just Don’t Understand”. He also happened to have a comedic kind of star quality that Quincy Jones thought would translate well to a TV sitcom. In early ’90, Prince accepted this role, and on September 10th, NBC aired the premiere episode of Fresh Prince of Bel-Air.

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Man Behind The Music: Jermaine Dupri

09/08/2010

So, the lil’ homie Jermaine Dupri has a new mixtape called I Think I’m Berry Gordy, eh? That’s a joke that writes itself for the most part, but that’s neither here nor there. Today’s entry is about how a kid went from poppin’ in Whodini videos to becoming one of the most in-demand producers of the ’90s.

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Da Dirty 30: DanjLovesThe80sToo

09/03/2010

Welcome to September on DanjLovesThe90s, where I’ll be coverin’ the likes of Busta Rhymes, BlackStreet, and Fresh Prince of Bel Air, among other shit. As the fall commences, I also plan to introduce yet another new column named DanjLovesThe80sToo… which leads us to today’s entry.

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