The ’90s Loved Michael Jackson

06/27/2009

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So… what happens now?

Without doubt, Michael Jackson memorabilia and merchandise is about to skyrocket, both in popularity and (unfortunately) price. I just bypassed a DVD of The Jacksons: An American Dream at Wal-Mart on Thursday afternoon, about four hours before the news broke. I bought some other DVD’s instead and figured I’d get that one next time. There’s not a chance I get it for $7.50 now, IF it’s even there anymore. I’m waiting for the MJ shirts to show up (which I might fuck around and buy a bunch of), and hopefully, we can get to hear the newer material he was working on.

Speaking of new music, I’d like to see Michael’s influence shine through even more from here on out. I’d like to see homage paid to him and his work, not only by the artists who idolize him but in their music. I have a feeling that it will be, just as it has in previous decades. Wait… I just had another one of my BRILLIANT ideas! (shoutout to whomever knows where that’s from)

In the ’90s, a number of MJ’s best songs were sampled and reborn by newer hip-hop artists, who were likely huge MJ fans themselves. Let’s do it:

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Naughty By Nature “O.P.P.” sampled The Jackson 5 “ABC”: Despite having to give up all kinda publishing rights for the sample (according to group member KayGee), NBN’s first-ever hit was largely based on pieces of The J5‘s 1970 hit, “ABC”. I bet a 12-year-old Mike didn’t think that in 21 years, his voice would be heard on a song about smashin’ somebody else’s piece.

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Ghostface Killah featuring Mary J. Blige “All That I Got Is You” sampled The Jackson 5 “Maybe Tomorrow”: Ghostface, member of the Wu-Tang Clan and fan of classic soul records, samples J5 for a tribute to his mother from his ’96 debut solo joint, Ironman. Still one of Ghost’s most memorable, and one of MJB‘s best cameos.

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Heavy D & The Boyz “Peaceful Journey” sampled The Jacksons “This Place Hotel”: Also known as “Heartbreak Hotel”, the Jacksons’ big 1980 hit has been sampled a few times. My favorite usage of the song was by Heavy D, who dedicated “Peaceful Journey” to lost loved ones (along with a then-unknown Jodeci on the hook).

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De La Soul’s “Breakadawn” sampled Michael’s “I Can’t Help It”: In ’93, a popular album cut from Off The Wall became a popular single by Amityville, Long Island‘s own De La Soul. A loop of the first two bars from “I Can’t Help It” was all it took for the Plugs to kick off their album Buhloone Mind State and drop one of the best singles of that year.

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MC Lyte featuring XScape “Keep On Keepin’ On” sampled Michael’s “Liberian Girl”: In ’87, MC Lyte and Jermaine Dupri were both 15 years old, and probably enjoyed MJ’s Bad album. Nine years later, JD uses “Liberian Girl” to give Lyte another hit for her resume. The power of music…

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Nas “It Ain’t Hard To Tell” sampled Michael’s “Human Nature”: One of the best tracks from Thriller meets one of the best from Illmatic. This song almost didn’t happen- after Nas and his producer Large Professor were beaten to the punch by SWV’s “Right Here” a few months earlier, they considered shelving it. After further consideration, they went ahead and made it happen anyway, to classic results.

I used to occasionally have debates with older people about sampling. They often saw it as stealing, but I felt like it was the utilization of great old music to help create great new music. Besides, if it weren’t for new artists using the work of those who came before them, this audition would’ve never happened before Berry Gordy‘s eyes:


The ’90s Loved The ’80s!

06/08/2009

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First of all, I wanna big up everyone who checked me out during the first week of DanjLovesThe90s. Just to let y’all know, I’m just gettin’ started, so be sure to keep coming back!

NOW… if you love Hip-Hop and R&B from the ’90s, you kinda automatically love the ’80s by degree of separation. A lot of the biggest hits from the ’90s were songs that borrowed heavily and liberally from ’80s R&B and Pop music. Most artists spent the first half of the decade trying to get away from the one before it, but they ended up spending the second half revisiting it. I ‘m kinda surprised that music of the ’90s hasn’t been heavily re-used during this decade in a similar manner, but then again… I guess it’d be a lil’ harder to do.

A lot of people cried foul when this craze was going on, because they felt it was a little lazy to just snatch loops from songs that were already poppin’ years prior. I saw where they were coming from, but at the same time, I think a lot of them only felt that way because they vividly recalled the songs that were being used. It was no different than when half of Cali spent the early-’90s using funk records from the ’70s, or when hip-hop of the late-’80s practically raided James Brown‘s catalog of the ’60s. It was just more in their faces now that the music of their youth was being jacked.

Admittedly, in some instances, it was unimaginative and somewhat of a get-a-hit-quick move. I’d still have to say some quality songs came out of that trend, though. In keeping with the m.o. of DanjLovesThe90s, I’ll now mention a few of what will be a number of instances where the ’90s sampled the ’80s to great effect. And, as usual… you wanna hear ‘em, click ‘em.

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Jay-Z’s “Can’t Knock The Hustle” (Remix) sampled Meli’sa Morgan’s “Fool’s Paradise”: In ’86, Meli’sa Morgan was a big-haired R&B talent known for her hit “Do Me Baby” and her smaller hit, “Fool’s Paradise”. The latter song found Meli’sa hoping her significant other hadn’t gotten caught up in the “bright lights and big city”, as it wasn’t all it was cracked up to be from her standpoint. 10 years later, Jay-Z recruited Mary J. Blige to sing a piece of it for his single, “Can’t Knock The Hustle”. In light of its’ popularity, he remixed it with the full “…Paradise” sample and a Meli’sa feature (which she KILLS). Couldn’t knock it.

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Foxy Brown feat. BlackStreet “Get Me Home” sampled Eugene Wilde’s “Gotta Get You Home Tonight”: Speaking of Jay, he also wrote an even bigger hit for another artist around the same time. Brooklyn‘s Foxy Brown was 17 years old and the raunchiest female rapper out, second only to Lil’ Kim. However, she toned down the “playin’ inside my pubic hairs” talk long enough to score a smash with “Get Me Home”, which sampled a 1984 hit by Eugene Wilde. With BlackStreet on the hook and the Trackmasters on the… track, Foxy set things off nicely for her debut album, Ill Na Na. Oh, and props to whoever suggested Fox throw in the “uh-oh, uh-oh!” on the hook.

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AZ’s “Sugar Hill” sampled Juicy’s “Sugar Free”: I’ve mentioned a few times on other sites that while AZ has spent a lot of his career being considered “Nas‘ homeboy”, he actually did something with his first single that Nas didn’t do until his fifth: he scored a legit nationwide hit. The MissJones-featured “Sugar Hill” was hot around mid-’95, and it borrowed from a song that was moderately popular 10 years prior. Juicy’s “Sugar Free” was a minor R&B hit that my mother happened to love, thus I already recognized (and appreciated) it once AZ used it.

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Lost Boyz “Lifestyles Of The Rich & Shameless” sampled Club Nouveau’s “Jealousy”: This one fucked my head up, because I was completely oblivious to it for a whole 12 years after “Lifestyles…” dropped. “Jealousy” was a hit by Club Nouveau in 1986. It was also a “dis record” of sorts aimed at the Timex Social Club, whom Nouveau member Jay King had a falling-out with after producing their hit, “Rumors”. Producer Easy Mo Bee managed to slow this record waaaay down and utilize it for the LB Fam’s first hit in ’95. Only a visit to The-Breaks.com in ’07 gave me any idea that “Lifestyles…” sampled “Jealousy”. I can usually spot a familiar sample, but for years, I’d liked both of those songs without ever connecting one to the other.

Much like the “Posse”, I’ll be revisiting this topic here and there in future entries. There’s a lot more that did just as well (if not better) at making the ’80s new for a whole ‘nother generation. It was definitely an important part, for better or worse, of ’90s Hip-Hop, as well as R&B for that matter.


The Genesis (Intro)

06/01/2009

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“Whatever music you was listenin’ to when you first started gettin’ laid is always gonna be your favorite music!“- Chris Rock

I wish I could start off by telling some elaborate story of how I contemplated and formulated some grand idea for this blog. Closer to the truth, I suddenly decided that I’d create one and then wondered what in the hell I could base it around. After giving it (very) brief thought, I decided that the thing I’m best at talking about is the thing I love most: the music I grew up on.

Props to movies and TV (which I’ll also be covering), but music was THE thing for me, first and foremost. As a child in B-More, I grew up in a house where the radio STAYED on. At 8:02 a.m., I got dressed for school with music in the background. At 3:57 p.m., I’d come home and hear it before I got in the door. At 7:45 p.m., I came in from playing outside to the sounds of whatever song V103 was playing. As a result, it was only a formality for me to become hooked on music myself. By ’87, I’d taped so many videos, my upstairs neighbor referred to me as “Video King”.

I loved (and still love) a lot of ’80s music of all genres, but I REALLY got locked in during the ’90s. It was the decade in which I not only listened to music… I also made it, spun it at parties, read about it, wrote about it in my school newspaper,  talked about it, and simply LIVED it.  I woke up and went to sleep to it. I got smoked out and intoxicated to it. And YEP, I even got laid to it. There’s music of other genres that occasionally struck me, but the Hip-Hop and R&B of that decade was (as they say) the soundtrack of my life during the coming-of-age stage.

I’ll be quick to admit, I’m not as crazy about it as I once was. I’ve long ago reached that point that most adults eventually reach, when they’re nowhere near the fans they were at say, 15 or so. I do feel like there are some things SORELY missing from today’s Urban music that shouldn’t be. On the other hand, I’m not as concerned with “mourning the death” as are many who prefer to ride the lame-ass “Hip-Hop Is Dead” train. If it is, in fact, dead- I’d rather do just as they implore us to do at funerals: celebrate the life.

Annnnd so, here is DanjLovesThe90s. I hope that you find it entertaining, reflective, celebratory, critical, comical, and anything else it happens to be depending on the entry. Whether you were a Hip-Hop Head or an R&B Swinger, a pre-teen or an adult, East Coast or West Coast… this is for those who either remember the decade fondly or are curious as to what was so great. I plan to chronicle not only my youth, but that of many others like myself who experienced some of these things firsthand. From calling up videos on The Box to seeing Menace II Society in the theater, I will be speakin’ on it.

In honor of the jumpoff, here’s 10 to grow on (if you want ‘em, click ‘em). For the record, I coulda gone a lot harder than this, which I will in many coming entries. Butt In The Meantiiiime…

LL Cool J “Around The Way Girl” (1990)

The Notorious B.I.G. “Guaranteed Raw” (1991)

Mary J. Blige feat. Grand Puba “What’s The 411?” (1992)

Snoop Doggy Dogg “G’z Up, Hoes Down” (1993)

Aaliyah feat. R. Kelly “At Your Best” (Remix) (1994)

Faith Evans feat. Puff Daddy “You Used To Love Me” (Remix) (1995)

Crucial Conflict “Hay (Smokin’ On)” (1996)

Christion “Full Of Smoke” (1997)

Mya feat. SisQo “It’s All About Me” (1998)

DMX feat. Drag-On, Jadakiss, Styles, & Eve “Ruff Ryders Anthem” (Remix) (1999)


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