Today in Baltimore, there’s somewhat of a celebration of life happenin’ on the radio. The reason being, today would have been the 32nd birthday of Khia Edgerton, a.k.a. “The Club Queen”, DJ K-Swift, who died in the summer of 2008. They’ve been playing classic Baltimore Club records in her remembrance, and with that, it’s inspired today’s entry. In the ’90s, Club was THE shit here in B-More, even if I wasn’t always crazy about it. Like just about all of my entries, it’s hard for me to truly cover this without being straight-up about my own views on it during those years, so here goes…
Queen B!tch, Supreme B!tch
10/13/2010Man I tell ya- I still can’t get over this damn pic. Looked like she tucked a Hostess Sno-Ball in that shit… allllready! Uh, anyway…
15 years ago (or 16 if you count this), Lil’ Kim rapped her nasty-ass way into our hearts. It was the spring of ’95 when The Notorious B.I.G.‘s profile was growing with every single, remix, and guest appearance. During his rise to the top of the game, he announced plans to put out a new project by his weed carriers proteges, the Junior M.A.F.I.A. One of the group’s key members would be this female MC from around the way, whom he promised would be the new hot shit:
Rhymes Galore
09/28/2010As noted by Noz the other day on Twitter, one thing hip-hop has been rather short on in recent years is “characters”. Of course, a lot of ‘em are playin’ roles anyway, but there’s not many who have their own distinctive entertaining personas, images, and rhyme styles. Love her or hate her, Nicki Minaj is one recent artist that falls into that category- as crazy as her voices and facial expressions may be, she commands attention as something different from the crop. Others in the past like Ludacris, Eminem, Redman, ODB, and Biz Markie had similar quirks- even to a point where the more “regular” their music was, the less appealing it was. They were expected to do the unconventional, so the normal shit just never quite hit the same way.
Another artist who also fits this description would be Busta Rhymes. For years, Busta was the one that always came with something different. For that reason, he always had his own lane, no matter what else was poppin’ that particular year. When the whole game went one way, his music went another, without being so over-the-edge that it didn’t still hit. But somewhere within the last five years, while he still has his different moments, he’s become a lot more typical. By comparison, the gun-bustin’, coke-sellin’ Busta hasn’t been clickin’ as well as the Busta that became a household name in the ’90s.
Takin’ It To The Street
09/20/2010When groups split up, there’s always a main member or two that feel they can go it alone and continue the success. Sometimes they’re right, other times, they’re wrong. In Teddy Riley‘s case, when Guy split up in late ’91, he took a different route. At the time, he was one of the top producers out there and a vocalist in Guy, so he easily could have spun off into a solo career. Instead, he made a move to start another group. Along with Chauncey “Black” Hannibal, Joseph “Street” Stonestreet, and Levi Little, TR kicked off another chapter in his career with BlackStreet.
The Red Moullie
09/13/2010
If I’ve said this 50-11 times already, then y’all won’t mind if I say it again: I’ve been with this hip-hop shit since forever ago. Even when I was like 5, I would like certain songs like “Freaks Come Out At Night” and “Roxanne, Roxanne”, even though I didn’t know any words except for the hooks. I grew to like it more throughout the late-’80s and early ’90s, but the year that locked me all the way in was 1992. That was the winter I started reading The Source, the spring I got hooked on Rap City, and the summer that I spent writin’ my first rhymes.
Over the course of that year, I had a new favorite song every week, but I was specifically heavy into the music of the Hit Squad- a crew of artists led by EPMD. I bought and/or dubbed all their shit that year- Das EFX‘s Dead Serious, K-Solo‘s Time’s Up, and of course, EPMD’s Business Never Personal. But there was one member that really delivered that real-for-real unfukkwittable outlandish shit, and continued to for years after that. It was called Whut? Thee Album, and the artist was Redman.
…On The TLC Tip
07/29/2010Unlike myself, my moms isn’t one that loves the ’90s. If she had a blog, it’d be about the ’60s and ’70s, with shit like “Motown Week” and entries about Earth, Wind, & Fire. She likes certain stuff from the ’80s, and mostly remembers the ’90s for being the decade I spent drivin’ her wild with tapes, records, and Rap City. However, there was one of a few groups she did care for during the decade- that being TLC.
“Make My Sh*t The Chronic…”
07/23/2010…Y’all had to know it was comin’. I’ve been mentioning it all week, as it was the album the put Death Row on the map and started careers for a whole roster full of artists. It’s kinda tough to cover the story of the label or any of its artists without bringin’ it up. I was thinking about waiting until its original release date (December 15) to cover it, but I can’t realistically do a Death Row Week and not drop an entry on Dr. Dre‘s The Chronic, so here we go…
The D-O-Double-G
07/21/2010With this bein’ Death Row Week and all, big shoutout to Snoop Dogg. Now for the record, I think that “California Girls” joint with Katy Perry is a big 2-liter of wack juice. Still, it says a lot for Snoopy’s longevity that 18 years after his first appearance on a record, he’s currently featured on the #1 single in the country. There’s a lotta artists that didn’t even make it out of the ’90s, let alone all the way here to 2010. Snoop’s pretty damn shameless at this point, and he’d prob’ly even do a track with Justin Beiber if he was gettin’ a check, but he’s managed to maintain respect in the game for a long-ass time.
Welcome To Death Row
07/19/2010Like we always do about this time… it’s Death Row Week on DLT90s.
It’s crazy to think about how quickly it all fell apart, but during the four years Death Row spent on top of the game, it was one of the strongest labels ever. With Suge Knight‘s strongarming business acumen and Dr. Dre‘s music, the Row seemed unstoppable at its height. Every release went platinum or better, the songs were all over the place, and the artists had people chewin’ nails in anticipation for new music. It went down like this…
Ruler’s Redemption
07/03/2010As many success stories as there are, there’s just as many about how those successes became massive fails. As often noted by entertainers of all genres, the success itself can sometimes be the direct cause of the downfall. Case in point: Slick Rick. When the ’80s switched over into the ’90s, Rick was one of hip-hop’s most popular MCs. Coming off of a platinum album (The Great Adventures of Slick Rick), he was on top of his game. But 20 years ago today, the course of his career and life went in a totally different direction.

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