The ’90s Loved The ’80s Pt. 3: Punk Smooth Sh*t

07/24/2009

80sbaby90skid

Ayo… before I start, shoutout to Combat Jack, Jia, NerdAtTheCool Table, and Boardroom Gangster for the props they’ve given DanjLovesThe90s on their own blogs and Twitters over the past week. ‘Preciate it, y’all!

Aight, SO in case you’ve just joined us… last month, I posted an entry called “The ’90s Loved The ’80s”, and also “The ’90s Loved Michael Jackson”. This month, here’s more examples of ’90s hip-hop that sampled music from the previous decade. I’m admittedly a sucker for that laid-back mellow R&B shit from the ’80s, and number of artists must’ve felt the same way. Even the most hardcore artists smoothed it out a lil’ bit once or twice, usually with decent results. Here’s a few of those, and as always, click ‘em if you want ‘em.

dont-sweat-the-techniqueMIDNIGHT STAR

Eric B. & Rakim “What’s On Your Mind” (1991) sampled Midnight Star “Curious” (1985): Even during a time when rappers were catching heat for makin’ that “punk smooth shit”, Rakim was able to drop one that got love. Here, ’80s funk group Midnight Star gets their ’85 hit reworked six years after the fact. Meanwhile, “the R” spits game at his girl, as she gets comfortable and watches the Huxtables. Also notable for being one the last few EB&R singles before they went their seperate ways a year later.

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Tragedy “Grand Groove” (1993) sampled Patrice Rushen “Remind Me” (1982): Queens, NY‘s Tragedy, transitioning out of his “Intelligent Hoodlum” phase but not yet in his “Khadafi” stage, lifts a classic from the early ’80s queen of beads-n-braids. This wasn’t the first or last time “Remind Me” would be sampled (i.e. Mary J., Faith Evans, Junior MAFIA, Chubb Rock, etc.) but one of the most effective. Patrice prob’ly didn’t think “Rememberin’ the days of my youth/Bust my first nut on the project roof” were ideal lyrics for her music, but Trag did it justice with the dedication to all his peoples that passed away.

heavy_d_&_the_boyzluther

Heavy D & The Boyz “Got Me Waiting” (1994) sampled Luther Vandross “Don’t You Know That” (1981): The late, great Luther (the original “Overweight Lover”, usually depending on the year) has had a few of his biggest hits turned into hits again. In this case, it happened with the production of Pete Rock and hip-hop’s Overweight Lover, Heavy D. Not usually the hardest of the hard, Hev was coming off of an album (Blue Funk) that had more of a street edge, but less hits than he was used to. So, he went back to what he did best and immediately scored another hit with “Got Me Waiting”.

GRapAndNasSURFACE

Kool G Rap feat. Nas “Fast Life” (1995) sampled Surface “Happy” (1987): One of my personal favorites from ’87, brought back by two of my all-time favorite MC’s for the nine-five. G Rap and Esco drop gems on ‘em to the tune of a hit by Surface, a group that had a nice string of hits during the late ’80s and early ’90s. I’m sure Nas meant “REserved spaces at the horse races” instead of “PREserved”, but this one is otherwise hard to argue with. Beautiful, baby.

It didn’t just happen on the hip-hop side of things, though. In the R&B world, producers were going back to the ’80s for classic hip-hop tracks. Next month, I’ll be covering some of those… but in the meantime, have fun with these.

-D!


The ’90s Loved Michael Jackson

06/27/2009

mj display

So… what happens now?

Without doubt, Michael Jackson memorabilia and merchandise is about to skyrocket, both in popularity and (unfortunately) price. I just bypassed a DVD of The Jacksons: An American Dream at Wal-Mart on Thursday afternoon, about four hours before the news broke. I bought some other DVD’s instead and figured I’d get that one next time. There’s not a chance I get it for $7.50 now, IF it’s even there anymore. I’m waiting for the MJ shirts to show up (which I might fuck around and buy a bunch of), and hopefully, we can get to hear the newer material he was working on.

Speaking of new music, I’d like to see Michael’s influence shine through even more from here on out. I’d like to see homage paid to him and his work, not only by the artists who idolize him but in their music. I have a feeling that it will be, just as it has in previous decades. Wait… I just had another one of my BRILLIANT ideas! (shoutout to whomever knows where that’s from)

In the ’90s, a number of MJ’s best songs were sampled and reborn by newer hip-hop artists, who were likely huge MJ fans themselves. Let’s do it:

naughtyoppJackson 5 - ABC - 1970_FrontBlog

Naughty By Nature “O.P.P.” sampled The Jackson 5 “ABC”: Despite having to give up all kinda publishing rights for the sample (according to group member KayGee), NBN’s first-ever hit was largely based on pieces of The J5‘s 1970 hit, “ABC”. I bet a 12-year-old Mike didn’t think that in 21 years, his voice would be heard on a song about smashin’ somebody else’s piece.

ghostfacemaskjackomask

Ghostface Killah featuring Mary J. Blige “All That I Got Is You” sampled The Jackson 5 “Maybe Tomorrow”: Ghostface, member of the Wu-Tang Clan and fan of classic soul records, samples J5 for a tribute to his mother from his ’96 debut solo joint, Ironman. Still one of Ghost’s most memorable, and one of MJB‘s best cameos.

peacefulalbum-the-jacksons-live

Heavy D & The Boyz “Peaceful Journey” sampled The Jacksons “This Place Hotel”: Also known as “Heartbreak Hotel”, the Jacksons’ big 1980 hit has been sampled a few times. My favorite usage of the song was by Heavy D, who dedicated “Peaceful Journey” to lost loved ones (along with a then-unknown Jodeci on the hook).

delabreakoffthewall

De La Soul’s “Breakadawn” sampled Michael’s “I Can’t Help It”: In ’93, a popular album cut from Off The Wall became a popular single by Amityville, Long Island‘s own De La Soul. A loop of the first two bars from “I Can’t Help It” was all it took for the Plugs to kick off their album Buhloone Mind State and drop one of the best singles of that year.

mclytekeeponMichael-Jackson-Liberian-Girl-18283-991

MC Lyte featuring XScape “Keep On Keepin’ On” sampled Michael’s “Liberian Girl”: In ’87, MC Lyte and Jermaine Dupri were both 15 years old, and probably enjoyed MJ’s Bad album. Nine years later, JD uses “Liberian Girl” to give Lyte another hit for her resume. The power of music…

nasremixhumannature

Nas “It Ain’t Hard To Tell” sampled Michael’s “Human Nature”: One of the best tracks from Thriller meets one of the best from Illmatic. This song almost didn’t happen- after Nas and his producer Large Professor were beaten to the punch by SWV’s “Right Here” a few months earlier, they considered shelving it. After further consideration, they went ahead and made it happen anyway, to classic results.

I used to occasionally have debates with older people about sampling. They often saw it as stealing, but I felt like it was the utilization of great old music to help create great new music. Besides, if it weren’t for new artists using the work of those who came before them, this audition would’ve never happened before Berry Gordy‘s eyes:


The ’90s Loved The ’80s!

06/08/2009

real80s90s

First of all, I wanna big up everyone who checked me out during the first week of DanjLovesThe90s. Just to let y’all know, I’m just gettin’ started, so be sure to keep coming back!

NOW… if you love Hip-Hop and R&B from the ’90s, you kinda automatically love the ’80s by degree of separation. A lot of the biggest hits from the ’90s were songs that borrowed heavily and liberally from ’80s R&B and Pop music. Most artists spent the first half of the decade trying to get away from the one before it, but they ended up spending the second half revisiting it. I ‘m kinda surprised that music of the ’90s hasn’t been heavily re-used during this decade in a similar manner, but then again… I guess it’d be a lil’ harder to do.

A lot of people cried foul when this craze was going on, because they felt it was a little lazy to just snatch loops from songs that were already poppin’ years prior. I saw where they were coming from, but at the same time, I think a lot of them only felt that way because they vividly recalled the songs that were being used. It was no different than when half of Cali spent the early-’90s using funk records from the ’70s, or when hip-hop of the late-’80s practically raided James Brown‘s catalog of the ’60s. It was just more in their faces now that the music of their youth was being jacked.

Admittedly, in some instances, it was unimaginative and somewhat of a get-a-hit-quick move. I’d still have to say some quality songs came out of that trend, though. In keeping with the m.o. of DanjLovesThe90s, I’ll now mention a few of what will be a number of instances where the ’90s sampled the ’80s to great effect. And, as usual… you wanna hear ‘em, click ‘em.

jayhustlemelisa-morgan-fools-paradise-uk-12

Jay-Z’s “Can’t Knock The Hustle” (Remix) sampled Meli’sa Morgan’s “Fool’s Paradise”: In ’86, Meli’sa Morgan was a big-haired R&B talent known for her hit “Do Me Baby” and her smaller hit, “Fool’s Paradise”. The latter song found Meli’sa hoping her significant other hadn’t gotten caught up in the “bright lights and big city”, as it wasn’t all it was cracked up to be from her standpoint. 10 years later, Jay-Z recruited Mary J. Blige to sing a piece of it for his single, “Can’t Knock The Hustle”. In light of its’ popularity, he remixed it with the full “…Paradise” sample and a Meli’sa feature (which she KILLS). Couldn’t knock it.

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Foxy Brown feat. BlackStreet “Get Me Home” sampled Eugene Wilde’s “Gotta Get You Home Tonight”: Speaking of Jay, he also wrote an even bigger hit for another artist around the same time. Brooklyn‘s Foxy Brown was 17 years old and the raunchiest female rapper out, second only to Lil’ Kim. However, she toned down the “playin’ inside my pubic hairs” talk long enough to score a smash with “Get Me Home”, which sampled a 1984 hit by Eugene Wilde. With BlackStreet on the hook and the Trackmasters on the… track, Foxy set things off nicely for her debut album, Ill Na Na. Oh, and props to whoever suggested Fox throw in the “uh-oh, uh-oh!” on the hook.

az

AZ’s “Sugar Hill” sampled Juicy’s “Sugar Free”: I’ve mentioned a few times on other sites that while AZ has spent a lot of his career being considered “Nas‘ homeboy”, he actually did something with his first single that Nas didn’t do until his fifth: he scored a legit nationwide hit. The MissJones-featured “Sugar Hill” was hot around mid-’95, and it borrowed from a song that was moderately popular 10 years prior. Juicy’s “Sugar Free” was a minor R&B hit that my mother happened to love, thus I already recognized (and appreciated) it once AZ used it.

lbfamclubnouveau_jealousy_12

Lost Boyz “Lifestyles Of The Rich & Shameless” sampled Club Nouveau’s “Jealousy”: This one fucked my head up, because I was completely oblivious to it for a whole 12 years after “Lifestyles…” dropped. “Jealousy” was a hit by Club Nouveau in 1986. It was also a “dis record” of sorts aimed at the Timex Social Club, whom Nouveau member Jay King had a falling-out with after producing their hit, “Rumors”. Producer Easy Mo Bee managed to slow this record waaaay down and utilize it for the LB Fam’s first hit in ’95. Only a visit to The-Breaks.com in ’07 gave me any idea that “Lifestyles…” sampled “Jealousy”. I can usually spot a familiar sample, but for years, I’d liked both of those songs without ever connecting one to the other.

Much like the “Posse”, I’ll be revisiting this topic here and there in future entries. There’s a lot more that did just as well (if not better) at making the ’80s new for a whole ‘nother generation. It was definitely an important part, for better or worse, of ’90s Hip-Hop, as well as R&B for that matter.


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