DANJ! Presents: One Hitta Quittas, Vol. 5
05/16/2011DANJ! Presents: One Hitta Quittas, Vol. 4
11/18/2010Ah yes… so as I prep for next week’s Strictly Hip-Hop Dirty 30, I been on R&B mode a lil’ bit as of late. In fact, the other day, I was asked if I was in love TWICE because I was rockin’ with some old smooth shit. I may have been kinda checkin’ for someone lately, and it is cuffin’ season, but it’s nothin’ to do with my mellow moods and whatnot… haha!
Anyway, in the process of playing my (MASSIVE) ’90s R&B playlist, I was prompted to drop the fourth installment of “One Hitta Quittas”. Three of these artists came out with a bang and dropped off the planet just as fast, while one took a minute to score a hit before returning to his hitless state. Whatever way it went down, these four tracks all made quite an impression back in the day, even as the artists themselves failed to.
DANJ! Presents: One Hitta Quittas, Vol. 3
08/05/2010
Annnd so, as I’ve done a couple times before, it’s about that time to show love to those artists who took center stage in the ’90s… for about two months. Not that that’s a bad thing- when you think about it, there’s some artists who didn’t even get that. If nothing else, at least a guy like Pressha can say “hey, I did better than Alfonzo Hunter“, and Nonchalant can say “did Mother Superia make ‘5 O’Clock‘?”. So with that, join me for another installment of the series that congratulates those who did it at least once.
DANJ! Presents: Group Therapy, Pt. 2
07/09/2010So… in my first “Group Therapy” entry in May, I covered some R&B groups that had a run during the early-to-mid-’90s. This time, I’m keepin’ it in that era, but on the hip-hop side. There’s not many groups around in that genre either these days, but there was a time when it was more of those than solo acts. These three in particular were wildly popular during the first half, although they had some trouble as the years went on. A lot of that was due to their own influence on the game, which also led to rampant biting and cheap imitations in the process.
Ruler’s Redemption
07/03/2010As many success stories as there are, there’s just as many about how those successes became massive fails. As often noted by entertainers of all genres, the success itself can sometimes be the direct cause of the downfall. Case in point: Slick Rick. When the ’80s switched over into the ’90s, Rick was one of hip-hop’s most popular MCs. Coming off of a platinum album (The Great Adventures of Slick Rick), he was on top of his game. But 20 years ago today, the course of his career and life went in a totally different direction.
DANJ! Presents: Group Therapy, Pt. 1
05/25/2010So… one day last week, I’m mindin’ my own business on Twitter, shootin’ the shit and whatnot. Suddenly, folk start talkin’ about the nominations for this year’s BET Awards. Now of course, I have no interest in seein’ the awards this year (especially after last year’s bullshit), but I go to check these nominees out anyway, right…
There’s three things I came away from it with: A) There’s no need for a Best Female Hip-Hop Artist category anymore, since there’s only one that’s been slightly relevant in the last year, B) Justin Bieber is the new face of blue-eyed soul (?), and C) R&B and Hip-Hop groups are at an all-time low. Any time The New Boyz (who have a total of one hit), Dirty Money (who haven’t dropped an album), and Young Money (who’s actually just a buncha solo artists who made an album together) are up for it… I guess all you gotta do is be a group to get into that category nowadays.
DANJ! Presents: One Hitta Quittas, Vol. 2
04/23/2010Annnd welcome to your favorite site and mine, DanjLovesThe90s- where we provide nothin’ but the absolute latest in ’90s shit.
Sometimes, the term “one hit wonder” is a lil’ polarizing. In some cases, it doesn’t necessarily mean the artist had nothing else to offer, it simply means the people didn’t accept it like they did that one in particular. Take for instance, some of today’s entries. Not to say any of their other stuff is as notable as their hit single was (although in one case, the artist’s other endeavors were WAY more notable than her music), but I’m just sayin’…
’90s Girls: Under The Radar
03/03/2010Since he’s pulling through and is expected to make a full recovery, is it too soon to joke that my GangStarr entry’s comment section flopped harder than a Guru solo album? HA! Wow Lovers, that’s how y’all feel?
Ayyy, it’s OK- everything can’t be a megahit. As a matter of fact, there’s a number of female R&B acts in the ’90s that were aiiight, but weren’t able to score one. They made some decent songs that briefly popped up and made a blip, and maybe even made the Video Soul Top 20 or some shit, but failed to make that career-changing breakthrough that all new artists hope for. I’ve previously spoken on some of the more popular ’90s Girls here and here, but here’s some from the mid-’90s who ended up flying waaay a little further under the radar.
S, S, Double, Double U, To The V
12/01/2009First off, welcome to December on DanjLovesThe90s, where I’ll not only be covering my usual ’90s madness, but a few notable things from this decade as well. Everyone’s done their best 50 albums and best 200 singles and best 500 Youtube videos and whatnot, so I won’t bother with that. But there’s some stuff I did wanna speak on, because I was still into music during the ’00s (although considerably less as the years went on).
But today, I’m here to talk about three girls who pretty much popped up out of nowhere in late-’92 and had become kinda like a big deal by mid-’93. Their original name prior to coming out was TLC (Taj, Lelee, & Coko), but due to the existence of this other group you may have heard of, they couldn’t keep it. Instead, they decided to call themselves Sisters With Voices, also known as SWV.
DANJ! Presents: One Hitta Quittas, Vol. 1
10/28/2009
I don’t know what to tell y’all. That Young Menace shit really made my got-damn week. In keeping with the “Whatever Happened To…” theme, I’d like to dedicate today’s entry to four artists who have provided my iPod with a good damn 16 minutes’ worth of music. Of course, I’ve proven that I can do entries about those artists who really did their thing in the ’90s, but why not take time out for the nigga who made “Return Of The Mack”? Today, I give you… One Hitta Quittas, Vol. 1. POW, punk ass!

MC Brains “Oochie Coochie” (1991): Remember back when Michael Bivins put out Another Bad Creation, then Boyz II Men, then he ended up with like 73 artists signed to his Biv 10 label? One of those was the pride of Cleveland, Ohio… MC Brains. This lil’ catchy number dropped in late-’91 and had the middle school dances jumpin’ around my way. My favorite lyric was always “Lisa, Kim, Angela, Monique/ Them are some freaks with some big physiques”. The “big physiques” part still cracks me up- it sounds like he’s talkin’ about female wrestlers or some shit. Anyway, he followed up this hit with a single called “Everybody’s Talkin’ About MC Brains”… and then, well… go ‘head and finish that however you want.

DRS “Gangsta Lean (This Is For My Homies)” (1993): Ah yeah. ’93 was mo’ gangsta than a muh’fukka. From The Chronic to Menace II Society to Tupac shootin’ cops and rapin’ girls in the ass, Cali was killin’! Naturally, the suits at Capitol Records figured, “hey, it’s workin’ for the rappers- why not an R&B group?” Enter DRS, a.k.a. Dirty Rotten Scoundrels, and one of the best/worst songs of the year. Tell me you don’t wanna sing along and laugh at the same time when the one nigga says “tell him put down those dice for a second, Lord… listen to his HOMIEEE!” It wasn’t necessarily an awful song- but how much longevity could a group dressed as gangbangers (pause) actually have? Seriously, what was their next song gonna be about? Jackin’ niggas and doin’ drive-bys? I guess the public felt the same way, because “Gangsta Lean” was the beginning and end of DRS.

Skee-Lo “I Wish” (1995): I don’t know if an artist has ever made a hit song about physical limitations and gone on to further success. The only exception might be this shit right here, but he was already deep in his career. Skee-Lo, on the other hand, came out the gate wishing for more height. He also wished to be a baller with a good-lookin’ girl, a rabbit in a hat with a bat (?), and a ’64 Impala. The summer of ’95 was good to him, as this song landed him all over radio and MTV. Then, September arrived, and Skee was wishing to score another hit. Instead, he got a spot on the Money Train soundtrack. Fair enough.

Mark Morrison “Return Of The Mack” (1997): As possibly the only nigro in the late-’90s still rockin’ a Gumby fade, Mark Morrison took his hit from Germany and brought it over here a year later. With a catchy-ass hook and a voice that gave hope to Akon, Mizark got it poppin’ in the spring of ’97 with “Return Of The Mack”. After this one came and went, the mack returned to Germany and can now be seen opening for David Hasselhoff. That could be a joke, but maybe it’s not. While I’m on the subject, this is another one of those songs that I coulda confessed to liking. I denied it for a good while, especially when it was out… but I do. But I do, do, do.
As y’all well know, it doesn’t stop there- the list, much like the beat, goes on. I’ll be covering more of these in future entries, as there are a lot to choose from. In some ways, one hit wonders are special. Sure, they work at GameStop today, and they probably get their “one lil’ hit” thrown in their faces every time they get into an argument with their significant others. But for three to four months of someone’s life, they were the shit, and no bitch-ass manager or girlfriend can take that away from them.
-D!
(so… who are some your favorite One Hitta Quittas?)

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