“…And Gotdammit Yes, The Quest Is On…”

01/28/2011

Since last month, when the trailer for Michael Rapaport‘s “Beats, Rhymes, & Fights” documentary on A Tribe Called Quest was leaked, I’ve been in anticipation for it. I’m still not sure what its fate or release date will be, but the word is that the premiere got quite a reaction last weekend at the Sundance Film Festival. Despite Q-Tip‘s inexplicable and sudden resistance to the whole project, I’m hopin’ it sees a release in some form. I spent almost the entire ’90s as a serious follower of ATCQ, all the way up until their breakup in ’98.

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Recap The Bells

08/30/2010

So… yesterday was an eventful day for a lotta hip-hop aficionados such as myself at the Merriweather Post Pavillion in DC. I’d never been to a Rock The Bells Festival, but I made it a point to make it there this year, callin’ around since way back in May to see who was ready to roll. We made it there, and it was well worth the admission. I didn’t catch much on the second stage, mostly because the main stage was MAJOR this year- with Snoop, Wu-Tang, A Tribe Called Quest, Lauryn Hill, Rakim, KRS-One, and Slick Rick all touchin’ the stage. I was amped when I woke up, amped when we got there, and still amped when we left. In between all that, here’s the shit that stood out- for better or worse. Here we go…

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DLT90s 1 Year Anniversary Special: THE FIDDY

06/01/2010

Doooo youuuu knoooow what todaaay is? It’s my anniversary. Yeaaah. Anniversary.

Lemme tell y’all a lil’ about me. If there’s one thing I love talkin’ about, it’s old music, movies, and TV. Actually that’s three things, but no need to be technical. I’m an admitted nostalgia addict. It’s almost a prerequisite that any future wife and/or ex-wife of mine will have to have this same quality, or shit prob’ly ain’t gonna work. There’ll be no Waka Flocka played at my our reception. Due to this addiction of sorts, and rediscovering my interest in writing over the last two years, I started DanjLovesThe90s one year ago today.

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DANJ! Presents Winter Six: 1994 (Relax Yourself, Girl)

02/05/2010

Aight, so it’s Friday on DanjLovesThe90s, which means it’s about time for another Winter Six. This week, I go in on the great 1994. Adjust the Mega Bass on your Walkman and let’s do it…

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The 2000s Loved The ’90s!

12/28/2009

Ah, yes… as I noted in my first “The 90s Loved The 80s” entry, there hasn’t been as much lifting of ’90s hits by the artists of this decade. Part of that, obviously, is due to how much those artists themselves were sampling from older music. But, there were a few quality remakes and whatnot that took place in the 2000s. Some of them were hot, like Carl Thomas & Faith Evans singing over The Firm‘s “Phone Tap. Others were eehhh, like Fabolous & Tamia recycling “So Into You. But here are five that stood out the most to me over the last ten years…

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The ’90s Loved The ’80s: Between The Sheets

11/17/2009

The Isley Brothers have had lots of their songs sampled and interpolated, especially “For The Love Of You”, “Choosey Lover”, and “Footsteps In The Dark”. But if there’s one Isleys song that’s put the most food on the table for them and others, it’s “Between The Sheets”. Mr. Biggs n’nem have caked off crazily from the song that put them back on the map in the ’80s. Lemme start from the beginnin’, at the top of the (abridged) list.

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Vibes And Stuff

07/03/2009

vibe1992

The only surprise about VIBE magazine closing its doors earlier this week… is that it didn’t happen to The Source first. VIBE’s been over for a hot minute now, if we wanna be real about it. It went from subscribe-worthy, to buy-it-if-it’s-a-good-issue-worthy, to thumb-thru-it-in-Rite-Aid-while-you-wait-for-your-laundry-to-finish-worthy.

Two months ago, I recieved my neighbor’s new issue in the mail by mistake and kinda sorta forgot to give it to her (hope she’s not readin’ this). I remembered when VIBE was taller than the other mags, thicker than the other mags, and had quality interviews. THIS thing I was looking at was about 90 pages deep, half of which were ads, and the best article was about ya man “Boogaloo Shrimp” from Breakin’. No dis to those who were still workin’ hard on the ship as it sank, but shit’s been wack for a minute. I still don’t know how I feel about that time they had Pliiiies on the cover and called him “The Future of Rap”. Bonkers!

janetvibe

But my intent here is not to maliciously dump on the final days of VIBE. Lord knows, I don’t need anyone calling me “retarded” again, like I give a fuck. I’d rather talk about the better days. From the early-to-mid-’90s, VIBE came through my mailslot every month, and I’d spend at least a good 90 minutes reading it from cover-to-cover. It was a more diverse (although not better) version of my favorite mag at the time, The Source. Whereas I could count on The Source for the best articles on the hip-hop artists, VIBE had the best on the singers, the movies, TV, and other random “urban pop culture” shit.

rkelly cover

There, I could read about things like Prince‘s reasoning behind “the symbol” or Chaka Khan‘s unfavorable opinion of Mary J. singing “Sweet Thing”. When the R. Kelly/Aaliyah story broke, they had the marriage license and some mo’ shit. I’d even read the mini-articles about stuff I didn’t know about. One feature that stood out to me was the story of DJ Larry Levan- I had no clue who he was, but I was interested in his story once I got to the end. Nowadays (and for the better), we can hop on the net and get the full story about everything, and immediately at that. But at that time, the magazines had all the stories for people like myself, who were interested beyond the music.

vibedeathrowOne thing that VIBE will be remembered for is the role it played in the East Coast/West Coast Bad Boy/Death Row beef. Almost every seed in that situation was planted in their pages. From 2Pac describing the Quad Studios shooting, to Puffy questioning the authenticity of “Thug Life”, to ‘Pac hinting on that he smashed Faith. When Dre left Death Row, they had the first interview. When Puff expressed plans to put out his own album, they covered that. And of course, when the biggest stars from each label got killed, they had the story on those. For better or worse, VIBE was the mag that had a crucial part in that whole ’95-’97 stretch.

tonivibe

But, after VIBE lost its initial relevance, they never got it back. Personally, I blame that lame talk show they had. They meant well, but that shit died fast. Most people stopped checkin’ for VIBE by the early part of the 2000s, and before long it was about as relevant as Right On! is. And now, it’s officially a wrap. Quincy Jones has been discussing trying to bring it back in digital form, but even he realizes that the power of the pages is gone. Matter fact, it likely won’t be the last mag to go under this year (just like it wasn’t the first). Good read while it lasted, though. Rest well, VIBE.

AND JUST ON G.P.:

A Tribe Called Quest “Vibes And Stuff” (1991)

R. Kelly & Public Announcement “She’s Got That Vibe” (1992)

Zhane “Vibe” (1994)

Boyz II Men feat. Treach, Craig Mack, Busta Rhymes, & Method Man “Vibin’” (Remix) (1995)

P.S. Damn shame THIS had to be the final physical issue:

aavibefinalcoverI mean, got-damn: even KING got to go out with Tahiry‘s iconic ass on the cover. Does it get any more anti-climactic than this? I’m just sayin’…

-D!


Summer Seven Series: 1990

06/22/2009

slam90

What up, gangstas? This is the start of a weekly series I’ll be doing here on DanjLovesThe90s throughout the next couple months. I’ll be covering the summer of each year in the ’90s, in addition to throwing in seven of what were my favorite songs during that time. Charge it to my keen memory or whatever-have-you, but these are just a few accounts of what were my coming-of-age years. And of course, in the event that you don’t give a damn about my life, there’s music as well so you can’t be too mad at it. Here we go!

smb3

For me, ’90 was the last year that I was really a kid. I would spend the following years tryin’ to be older than I was, but by this point, I was just getting out of elementary school.  I was still into video games, cartoons, watching wrestling, and playing with my WWF action figures. When it wasn’t that, I liked going to the movies with either my mother or my aunt and uncle. In fact, I thought Teenage Mutant Ninja Turtles was the best movie I was ever gonna see in my life- a feeling that has since subsided, of course.

’90 was the year that I really started getting into music even more than I had been prior to that. Whereas before, I’d mostly listen to the radio or whatever tapes my brother or sisters had, I was now starting to want tapes of my own. I didn’t have cable, but every time I’d visit my father’s house, I made sure to carry a blank tape with me to record as many new videos as I could.

Amerikkkas Most Wanted

I was staying at my uncle’s house for the summer and attending the Arena Playhouse five days a week. There, I learned dance, acting, art, and creative writing. It was an enjoyable experience, at least until I got kicked out for throwing milk on another one of the kids. It was in response to him (purposely) spilling milk on my shoe, but because I “overreacted” and completely splashed him, I was the one who got thrown out of the program. So I spent the rest of the summer in the house, eating snacks and listening to my uncle’s AmeriKKKa’s Most Wanted tape whenever I could sneak a listen.

At the end of that summer, I was heading into middle school. I was a little heartbroken because I had a crush on my 16-year-old neighbor Joy, only to find out she had a boyfriend (like I had a chance). More than anything, though, I was still being a typical 10-year-old doing 10-year-old shit.

tonytonitone

The Danj! Summer Seven of 1990 (in no particular order):

A Tribe Called Quest “Bonita Applebum”: Q-Tip and co. officially enter my ears with this lil’ catchy three-minute jingle. I didn’t know what “crazy prophylactics” were, but I was feelin’ this song pretty hard.

Bell Biv Devoe “Do Me!”: Fresh off “Poison”, the three backgrounders of New Edition keep stepping to the forefront- smackin’ it up, flippin’ it, and rubbin’ it down.

Kwame & A New Beginning “Ownlee Eue”: A few years before he and “them fuckin’ polka dots” were rendered irrelevant, Kwame was doin’ his thing.

Keith Sweat “Make You Sweat”: I swear, this dude caught a lot of jokes for being of the whiniest singers ever, but he made some solid-ass songs- this being one of my favorites to this day.

Klymaxx “Good Love”: The ’80s were good to Klymaxx… the ’90s? Not so much. But before the party ended, they slid with one last hit for the New Jack era.

Ice Cube “A Gangsta’s Fairytale”: The song that drew me to Cube’s debut solo joint, as O’Shea schools us on what Cinderella is really up to when the clock strikes 12.

Tony! Toni! Tone! “Feels Good”: The hits keep comin’ for the T3, and I was dancin’ my ass off to this one. Pac’s brother was right- Tony! Toni! Tone! had done it again.

Until Wednesday…

-D!


It’s The Posse!

06/05/2009

theposse

Oh HELL nah, this ain’t about that movie. The only thing worth writing about from that is Salli Richardson being ass-nekkid. Sorry, film buffs. Now that I’ve introduced myself and then revealed an embarrassing secret, I’ll now proceed to go in on some things that made me love the ’90s. This is about a certain kind of track that would always cause some kind of debate amongst those who heard it. They’re commonly referred to as “collabos” now, but up until about ’97-‘98, they were called “posse cuts”.

The posse cut is the one where the main artist features two or (many) more guests on the same track. The reason why a lot of these are so popular is because they’re always bound to spark a “who had the best part?” discussion. I’ve literally taken part in convos that lasted as long as a full hour about this kinda shit. Posse cuts usually consisted of spirited performances by all parties involved, because likely, they all wanted to be “the one with the best verse”. After all, even in camaraderie comes competition.

With all due respect to “The Symphony”, “Buddy”, and others from the great ‘80s- here’s a few of my personal favorites from the ‘90s:

scenariovideo

“Scenario”- A Tribe Called Quest feat. Leaders of the New School (1991): This is one that I was stuck on from the first time I heard Tribe’s Low End Theory album. It’s known today as the song that made Busta Rhymes a star, and probably led to the late-’93 breakup of the Leaders. After this joint, LONS became “Busta n’nem”. That said, “Scenario” is no one-man show. ATCQ’s Q-Tip and Phife, as well as LONS’ Charlie Brown and Dinco ALL had quotable verses. Everything about this is classic, including its video AND the equally-classic ’92 remix (featuring a new MC named Kid Hood, who was murdered days after recording his verse). For The Win: BUSTA (on both)

“Niggaz Done Started Somethin’”- DMX feat. The LOX & Mase (1997): These five were part of a new movement in late-’97/early ’98. They were all up-n-coming artists from NY whose street fanbases were cultivated through mixtapes, and were now heading toward more mainstream exposure. The LOX’s Jadakiss and Styles held it down as they were known to do at all times, while Sheek’s verse was… well, Sheek-like. But all three LOX members take the back seat here, as I gotta declare this one a dead-heat between X (who was 100% on fire back then) and Mase (who rarely gets half the props that he should- another blog, another day).

flava vid

“Flava In Ya Ear (Remix)”- Craig Mack feat. Notorious B.I.G., Rampage, LL Cool J, & Busta Rhymes (1994): This joint is so major, people tend to forget how much of a SMASH the original “Flava…” already was. From Puffy’s Warriors-inspired intro, all the way to Busta (again) closing things out strong, this song and video was a template for many all-star remixes to come. Sadly for Craig, his biggest record ever had an even bigger remix, on which he got outshined by everyone… even that totally nonsensical LL verse. The nod on this one, however, goes to BIGGIE for “gettin’ more butt than ashtrays” and letting failed rappers know that their future was with UPS.

“Head Banger”- EPMD feat. K-Solo & Redman (1992): This one represented somewhat of a turning point for everyone on the track. For one, it was Redman’s first high-profile show-stealing appearance. It was K-Solo’s last time being involved in something of particular relevance (unless you wanna count being told to suck DMX’s dick on “Get At Me Dog” a few years later). It was also EPMD’s final single before they split at the end of ’92. Over a beat that (according to Erick Sermon) was originally intended for Ice Cube, everyone did their thing, but Red walked away with it. Show me a nigga who thinks one of the other three had the best verse on there, and I’ll show you someone just tryin’ to be different for the fuck of it.

In trying to avoid droppin’ super-lengthy entries, I’ll end it here for now. But it DEF. won’t be the last of this topic, as I have some others that I’ll be biggin’ up tomorrow. Stay tuned…

You Want ‘Em? CLICK ‘Em.

A Tribe Called Quest feat. Leaders Of The New School “Scenario” (1991)

A Tribe Called Quest feat. L.O.N.S. & Kid Hood “Scenario” (Remix) (1992)

DMX feat. The LOX & Mase “Niggaz Done Started Something” (1998)

Craig Mack feat. The Notorious B.I.G., Rampage, LL Cool J, & Busta Rhymes “Flava In Ya Ear (Remix) (1994)

EPMD feat. K-Solo & Redman “Head Banger” (1992)

-D!


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