…And You Know I Got Soul

10/30/2010

…and as I close out HipHopSoulWeek here on DLT90s, I had to finish off in the best way I know how. Bein’ a part of that whole era as a listener and a kid who was keepin’ an ear out for every little song by every artist on every label, I stayed up on all them tracks and remixes that made up the Hip-Hop Soul era. As a result, some 15 years later or so, I’m able to proudly bring y’all this shit right here…

Some of y’all remember “Jackin’ Off” from New Jack Week, right? Well, it’s about that time again. I didn’t even get to drop ALL the ones I wanted to on here, but I def. went in once again- even shouted some of y’all out on the (distorted) mic no less. So with no further to do (Carlito Brigante voice)… 49 joints, 80 minutes… here we GO:

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DANJ! Presents Winter Six: 1991 (A Ni**a Remember Them Muhfu**in’ Dances, Bwoy…)

01/15/2010

Aight, so… it was a lil’ quiet around here this week. I had to take a lil’ time to recharge the batteries, and now shit’s back to life. And with that, DLT90s continues with the 1991 edition of the Winter Six series.

The winter of ’91 was a different thing. I was in sixth grade, back around my old neighborhood, known as “The Lake”, after moving away a couple years prior. I was back chillin’ with my friends from elementary school, but wasn’t going to the same middle school as them. My time in Westport was a suspension-filled experience, so I ended up going to an “alternative” school with all the niggas with “behavioral and emotional problems”. Either way, I still looked forward to Fridays- because even though I didn’t go to the middle school, I could still go to their dance every week (and I went to damn near every one). Rest of the time, I was in my brother’s room, either recording music off the radio or “borrowing” his tapes. It was around this time that I started something that eventually became one of my most recognizable traits- being any and everywhere with my headphones on. Here’s some of what I was listening to:

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DANJ! Presents… Winter Six: 1990 (Oh, Snap!)

01/08/2010

In the timeless words of Ghostface, “his shape-up was ALL fucked up!” And with that, I begin the Winter Six- my own photographic memory along with six of my favorite songs from each year, which will be featured here every Friday until March. Checkitouuut:

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Summer Seven Series: 1992

07/06/2009

1992dream

Someone asked me not so long ago, “how the hell you even remember what time of the year shit came out?” It cracks me up too, truthfully. I guess it’s because like the corny-ass saying goes, music was really “the soundtrack of my life”. I remember what songs were out at particular times, because I listened to music so much back then. It actually plays just as much a part in my memory as the actual events do.

cross colours

Annnd that brings me to the third edition of the Summer Seven. ’92 was the year, and here’s where things really changed. I began rapping a couple of months prior, after being inspired by Kris Kross of all people. Almost overnight, I went from being a casual-but-avid fan of hip-hop to being some kinda addict. Before, I was able to split my time between music, TV, writing, and regular 12-year-old stuff like video games and socializing. By the time summer rolled around, most things that I did centered around or involved music.

When I watched TV, it was usually videos- whether it was BET, MTV, or my favorite, The Box. I don’t remember seeing any movies that summer, yet I can remember that the request number for the “DWYCK” video was #706. The only other stuff I recall watching was wrestling (occasionally) and the Olympics (which was mostly all about seeing basketball teams from other countries get their asses beat by The Dream Team). Whenever I played video games with my brother, we listened to tape after tape the entire time. I stopped reading Pro Wrestling Illustrated and got stuck on The Source. I stopped trying to write stories and scripts, and started strictly writing (terrible) lyrics. Back then, once I got heavily into something, nothing else existed.

skinemax

Well, ONE other thing existed: Cinemax. I was a young, crafty lil’ deviant, who stayed looking for movies that contained nudity and especially “strong sexual content”. Not only would I be sitting there with the TV on extra-low, but I’d have The Box on the “last channel” function of the remote. You ever see a movie where the guy who has people looking for him goes to bed with a gun taped to his hand, so he can jump up and start firing with no problem? That was me with the remote and the LC button. Pow!

Summer ’92 was just a lotta fun- introverted fun, but still rather got-damn enjoyable for me. It was all about music, Super Tecmo Bowl, McDonald’s triple cheeseburgers, and strong sexual content. I was listening to any and every tape I could get a hold of. I remember school-shopping and wanting to dress like the rappers did in their videos. It was the last time I ever went to see wrestling at the Baltimore Arena, as I’d eventually lose interest by the end of the year. 8th Grade was on the way, and I was ready to be a teenager.

maryjremind The Danj! Summer Seven of 1992 (NOTE: limiting this list to seven was hard-as-fuck- I had a new favorite song almost every week that summer):

Mary J. Blige featuring Greg Nice “You Remind Me” (Remix): MJB’s first single ever gets treated with what would be a staple of her music for years to come- the remix. Only the beginning…

GangStarr featuring Nice & Smooth “DWYCK”: One of those cases where an unlikely pairing makes a surprise banger. Still one of my favorite tracks by both groups.

Main Source “Fakin’ The Funk”: A couple months before he decided to say “fuck them two DJ’s”, Large Professor and his group Main Source had some heat on their hands with this one. I’m still a lil’ tight about them not droppin’ the full album before they called it a day.

SuperCat “Ghetto Red Hot”: Dancehall reggae and hip-hop started merging a lot during the early-’90s, and this just might be the best track to EVER come out of that entire trend.

Jodeci “Come & Talk To Me” (Remix): Jodeci, along with Mary J., played a big part in R&B music shifting from the New Jack Swing era to the Hip-Hop Soul era. Exhibit A: this remix.

DJ Quik “Jus Lyke Compton”: I was lovin’ this shit right here. How can you argue with “When it was over, two niggas needed stitches/ Got cracked in they jaw for bein’ punk-ass bitches”?

Pete Rock & C.L. Smooth “They Reminisce Over You”: Probably the best hip-hop single of the whole year, possibly Pete’s best beat ever, definitely CL’s best song ever, and surely one of my favorites of that summer. My God…

IN CASE YOU MISSED ‘EM: Summer Seven Series 1990 AND 1991

-D!


Summer Seven Series: 1990

06/22/2009

slam90

What up, gangstas? This is the start of a weekly series I’ll be doing here on DanjLovesThe90s throughout the next couple months. I’ll be covering the summer of each year in the ’90s, in addition to throwing in seven of what were my favorite songs during that time. Charge it to my keen memory or whatever-have-you, but these are just a few accounts of what were my coming-of-age years. And of course, in the event that you don’t give a damn about my life, there’s music as well so you can’t be too mad at it. Here we go!

smb3

For me, ’90 was the last year that I was really a kid. I would spend the following years tryin’ to be older than I was, but by this point, I was just getting out of elementary school.  I was still into video games, cartoons, watching wrestling, and playing with my WWF action figures. When it wasn’t that, I liked going to the movies with either my mother or my aunt and uncle. In fact, I thought Teenage Mutant Ninja Turtles was the best movie I was ever gonna see in my life- a feeling that has since subsided, of course.

’90 was the year that I really started getting into music even more than I had been prior to that. Whereas before, I’d mostly listen to the radio or whatever tapes my brother or sisters had, I was now starting to want tapes of my own. I didn’t have cable, but every time I’d visit my father’s house, I made sure to carry a blank tape with me to record as many new videos as I could.

Amerikkkas Most Wanted

I was staying at my uncle’s house for the summer and attending the Arena Playhouse five days a week. There, I learned dance, acting, art, and creative writing. It was an enjoyable experience, at least until I got kicked out for throwing milk on another one of the kids. It was in response to him (purposely) spilling milk on my shoe, but because I “overreacted” and completely splashed him, I was the one who got thrown out of the program. So I spent the rest of the summer in the house, eating snacks and listening to my uncle’s AmeriKKKa’s Most Wanted tape whenever I could sneak a listen.

At the end of that summer, I was heading into middle school. I was a little heartbroken because I had a crush on my 16-year-old neighbor Joy, only to find out she had a boyfriend (like I had a chance). More than anything, though, I was still being a typical 10-year-old doing 10-year-old shit.

tonytonitone

The Danj! Summer Seven of 1990 (in no particular order):

A Tribe Called Quest “Bonita Applebum”: Q-Tip and co. officially enter my ears with this lil’ catchy three-minute jingle. I didn’t know what “crazy prophylactics” were, but I was feelin’ this song pretty hard.

Bell Biv Devoe “Do Me!”: Fresh off “Poison”, the three backgrounders of New Edition keep stepping to the forefront- smackin’ it up, flippin’ it, and rubbin’ it down.

Kwame & A New Beginning “Ownlee Eue”: A few years before he and “them fuckin’ polka dots” were rendered irrelevant, Kwame was doin’ his thing.

Keith Sweat “Make You Sweat”: I swear, this dude caught a lot of jokes for being of the whiniest singers ever, but he made some solid-ass songs- this being one of my favorites to this day.

Klymaxx “Good Love”: The ’80s were good to Klymaxx… the ’90s? Not so much. But before the party ended, they slid with one last hit for the New Jack era.

Ice Cube “A Gangsta’s Fairytale”: The song that drew me to Cube’s debut solo joint, as O’Shea schools us on what Cinderella is really up to when the clock strikes 12.

Tony! Toni! Tone! “Feels Good”: The hits keep comin’ for the T3, and I was dancin’ my ass off to this one. Pac’s brother was right- Tony! Toni! Tone! had done it again.

Until Wednesday…

-D!


The Kids, Man… The F**kin’ Kids!

06/13/2009

Animation Missing-Child-Alert-flash

Shoutout to all the kids who started summer vacation this week. I’m sure they don’t follow this site, since they were barely alive when most of this shit was out, but shout to ‘em anyway. In honor of the lil’ homies, today’s entry is dedicated to the pre-Bow Wow youngheads of hip-hop and R&B. Enjoy… or not.

abc

Another Bad Creation: When I was like 10, I thought these lil’ dudes were the hardest new group out. Not sure about all that today, but it was cool as all hell to see a group not much older than myself rocking on this level. Michael Bivins of New Edition and BBD fame put this situation together, and they did their thing with that first album. But, like most child stars in music and TV, once those voices started cracking, it was a wrap for ABC. That “Iesha” chorus still followed me thru life, because that’s all I heard four years later, once I got with a girl of the same name. Kids…

kriskross

Kris Kross: I’m old enough to admit it: in ’92, Kris Kross kinda sorta partially influenced me to start rhyming. After seeing them do it, I realized that I was the same age and could start rappin’ myself, so that’s how it happened. These two were huge that year, but they also ended up becoming victims of the vocal shift. Also, they were under Jermaine Dupri, who may be the king of playing “follow the leader” with whoever’s hot that year, so they were never really able to establish their own sound (which might’ve helped them stay around longer). Regardless, I’d be lying if I said I wasn’t rockin’ with them for a hot second.

illegal

Illegal: The crazy thing with Illegal was that they were the only “kid” rap group to come out cussing and rhyming about shootin’ niggas and smokin’ blunts. It was kinda crazy at the time, because it was the total opposite of what people were used to from rappers that young. They were like the anti-Kris Kross, and they even went as far as dissin’ them (and other artists their age) in their songs to prove that point. Shit didn’t jump off like they probably thought it would, but their album The Untold Truth wasn’t half-bad to me.

youngstas

Da Youngsta’s: These three were a little like Kris Kross, because their sound/style always seemed to depend on whatever was going on that exact minute. That said, they had a nice string of singles, and worked with damn near every East Coast producer of relevance during that time (from Marley Marl to Pete Rock to Premier). They had authentic roots as well, with two of them being the sons of Philly’s Lawrence “L.G.” Goodman, who put out a lot of classic hip-hop records under his Pop Art label in the ’80s. They never had a super-huge hit, but I might say they’re the only “kid rappers” whose music actually improved as they got older.

wegotit

Immature: Aight, I’m not even gonna front: I didn’t follow these kids AT ALL. And they may have been getting Raz-B‘d by their manager, Chris Stokes. Anyway, they did manage to sneak in one or two joints that I didn’t change the channel on. The rest of the time, they were definitely moreso for the girls, who happened to love these lil’ corny niggas. I can’t knock it, since they probably weren’t aimin’ for the dudes anyway, so it was what it was. By the way, shoutout to Tia (not Mowry), if you’re readin’ this. We Got It!

chi-aliChi-Ali: “The girls look soooo good, but their brains are not ready, I don’t knooow!” When I saw the video for his first single “Age Ain’t Nothin’ But A #”, I was feelin’ it so much, I bought the whole damn album the following weekend. Chi was a member of the Native Tongues (which consisted of A Tribe Called Quest, De La Soul, and others), and also one of the first artists to be produced by The Beatnuts. Between ’92 and 2000, who knows what the hell happened, but the next time I saw him, it was on America’s Most Wanted. He was on the run and accused of murder. He eventually turned himself in and is still locked up today. Wasted talent, Calogero.

A lot of these acts weren’t around for the long haul, but they did more before they could drive than some artists do by the time they’re 30. Did you have a favorite from this era? Better yet, who has whereabouts on some of ‘em? Either way, speak on it!

Oh, and yeah:

Another Bad Creation “Iesha” (1990)

Kris Kross “Warm It Up” (1992)

Illegal feat. Erick Sermon “We Getz Buzy” (1993)

Da Youngsta’s feat. Treach “Crewz Pop” (1993)

Immature “Never Lie” (1994)

Chi-Ali “Age Ain’t Nothin’ But A #” (1992)

-D!


The Genesis (Intro)

06/01/2009

airbrush

“Whatever music you was listenin’ to when you first started gettin’ laid is always gonna be your favorite music!“- Chris Rock

I wish I could start off by telling some elaborate story of how I contemplated and formulated some grand idea for this blog. Closer to the truth, I suddenly decided that I’d create one and then wondered what in the hell I could base it around. After giving it (very) brief thought, I decided that the thing I’m best at talking about is the thing I love most: the music I grew up on.

Props to movies and TV (which I’ll also be covering), but music was THE thing for me, first and foremost. As a child in B-More, I grew up in a house where the radio STAYED on. At 8:02 a.m., I got dressed for school with music in the background. At 3:57 p.m., I’d come home and hear it before I got in the door. At 7:45 p.m., I came in from playing outside to the sounds of whatever song V103 was playing. As a result, it was only a formality for me to become hooked on music myself. By ’87, I’d taped so many videos, my upstairs neighbor referred to me as “Video King”.

I loved (and still love) a lot of ’80s music of all genres, but I REALLY got locked in during the ’90s. It was the decade in which I not only listened to music… I also made it, spun it at parties, read about it, wrote about it in my school newspaper,  talked about it, and simply LIVED it.  I woke up and went to sleep to it. I got smoked out and intoxicated to it. And YEP, I even got laid to it. There’s music of other genres that occasionally struck me, but the Hip-Hop and R&B of that decade was (as they say) the soundtrack of my life during the coming-of-age stage.

I’ll be quick to admit, I’m not as crazy about it as I once was. I’ve long ago reached that point that most adults eventually reach, when they’re nowhere near the fans they were at say, 15 or so. I do feel like there are some things SORELY missing from today’s Urban music that shouldn’t be. On the other hand, I’m not as concerned with “mourning the death” as are many who prefer to ride the lame-ass “Hip-Hop Is Dead” train. If it is, in fact, dead- I’d rather do just as they implore us to do at funerals: celebrate the life.

Annnnd so, here is DanjLovesThe90s. I hope that you find it entertaining, reflective, celebratory, critical, comical, and anything else it happens to be depending on the entry. Whether you were a Hip-Hop Head or an R&B Swinger, a pre-teen or an adult, East Coast or West Coast… this is for those who either remember the decade fondly or are curious as to what was so great. I plan to chronicle not only my youth, but that of many others like myself who experienced some of these things firsthand. From calling up videos on The Box to seeing Menace II Society in the theater, I will be speakin’ on it.

In honor of the jumpoff, here’s 10 to grow on (if you want ‘em, click ‘em). For the record, I coulda gone a lot harder than this, which I will in many coming entries. Butt In The Meantiiiime…

LL Cool J “Around The Way Girl” (1990)

The Notorious B.I.G. “Guaranteed Raw” (1991)

Mary J. Blige feat. Grand Puba “What’s The 411?” (1992)

Snoop Doggy Dogg “G’z Up, Hoes Down” (1993)

Aaliyah feat. R. Kelly “At Your Best” (Remix) (1994)

Faith Evans feat. Puff Daddy “You Used To Love Me” (Remix) (1995)

Crucial Conflict “Hay (Smokin’ On)” (1996)

Christion “Full Of Smoke” (1997)

Mya feat. SisQo “It’s All About Me” (1998)

DMX feat. Drag-On, Jadakiss, Styles, & Eve “Ruff Ryders Anthem” (Remix) (1999)


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