The ’90s Loved Rick James

02/01/2011

Welcome to February on DLT90s, where I’ll be remembering an album you mighta heard of called All Eyez On Me , speakin’ on the great DJ Premier, and for Valentine’s week, dropping my 25 Favorite Love Songs of All Time. And speaking of all-time, today would have been the 63rd birthday of one of the baddest muthafukkas of all-time… one of the best-singin’, best-lookin’ muthafukkas you ever seen… hold my drink, bitch.

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True Confessions

09/29/2009

hip hop confessions

Shoutout to Skillz for creating one of the most entertaining things I’ve seen lately, Hip-Hop Confessions. It began as a website which has since made its way to MTVJams as a half-hour special. On this show, everyone from fans to artists are able to shoot the shit about their likes/dislikes/unpopular opinions/etc. regarding hip-hop (the wildest being Joe Budden‘s admission to never having owned a KRS-One album). Everybody has a few, and since I’m no rookie at lettin’ out some of my own crazy-ass admissions, here’s a few more to wrap your head around:

94jay 1. Jay-Z’s Speed-Raps? Nnnnah: For all the great things he’s done, I think the best decision Mr. Carter’s ever made was getting off that “jiggedy-jiggedy-Jay”-type shit. If that didn’t happen, there’s a lot that would be missing from these last 14 years of music and pop culture- including him. Outside of one or two songs, I can really do without the whole early-mid ’90s speed-rappin’ Jigga. Incidentally, I do like “Nigga What, Nigga Who” from the Hard Knock Life album- he’s practically doin’ the same thing, but the execution is MUCH better than that money-machine-sound-effect shit he was on before.

Jay-Z “I Can’t Get Wit Dat” (1995)

ugk

2. I’ve Never Heard A UGK Album: I understand why they’re highly regarded. I understand Pimp C‘s acclaim as a producer, and that Bun B is one of the most respected lyricists from the South. Still, I’d be lyin’ if I said they were ever on my radar like that. Though I’ve known of UGK since “Pocket Full Of Stones” from the Menace II Society soundtrack, there was always a gang of other stuff I was more interested in hearing whenever they had an album out. Maybe I should make it a point to check out one of those albums someday. In the meantime though, as it stands on September 29, 2009… I’ve not heard one in its entirety.

UGK “One Day” (1996)

common sense 1

3. Common Sense > Common: It’s almost a cliche to like the introspective, mature, kinder, gentler, hemp sweater-wearing Common who loves all the children and deaf chicks. Me myself personally? Eh. I’m much more a fan of the brash, comical Common Sense who made songs about cockblockers and such. I even rock with the Common Sense that teetered between the comical and the introspective on Resurrection. But it all pretty much ended for me when he got into cuttin’ up pieces of mango and shit. I’m not sayin’ artists can’t evolve as musicians and human beings. I’m just sayin’ Erykah Badu might be some kinda witch who turns rappers into hippies.

Common Sense “Soul By The Pound (Remix)” (1993)

hip hop hooray

4. If I Never Hear “Hip-Hop Hooray” In My Life Again, I’m Good: There’s a lot of songs I’ve heard over and over that I still don’t get tired of. I may not listen to ‘em every day, but I don’t mind hearin’ them whenever they might happen to pop up on the iPod. There’s this one song though… this one song that I could live to be 100 and die the next day without hearin’ anymore: fukkin’ “Hip-Hop Hooray” by Naughty By Nature. It’s not that I think it’s a bad song, even tho’ the hook is kinda hokey- it’s just that I’ve heard the shit so much. I’ve literally been sick of it since like ’93, and I don’t see that changing.

Naughty By Nature “Hip-Hop Hooray” (1993)

hammerpumps

5. I Actually Like “Pumps & A Bump”: Um, yeah. That “Pumps & A Bump”. The Hammer song from when he tried to come back on some tough shit. The song that’s supposed to be about scantily-clad women, but is mostly remembered for him dancin’ around the pool with his dick aaallll in the videooo. I don’t care for any of that business, but I like that beat, and that part at the end when Aaron Hall starts goin’ in. Of course this song is awful, and I know this- but the sheer retardation of it is what makes it entertaining to me. Now bring them pumps and flex that bump.

Hammer “Pumps & A Bump” (1994)

There’s many more where those came from, and I might throw ‘em out there at another time, but I feel I’ve embarrassed myself enough for one day. Now, it’s time for y’all to come clean: what are some of your confessions? I won’t tell nobody…

-D!


No Sellout

07/08/2009

Hammerman

I don’t care what niggas say… MC Hammer was NOT a sellout.

There was a point in time when Hammer was known (along with Vanilla Ice) as a threat to hip-hop’s integrity. He was dissed by everyone from Ice Cube to Q-Tip. He was called everything but a black man by others who thought his music was damaging the credibility of the genre. He was clowned for his commercial endorsements and sampling popular records, even by rappers who went on to do the exact same shit later in their careers. He had extravagant, dance-oriented stage shows that were considered “wack” by artists who were more content to walk back and forth on stage for 45 minutes. And for all this, he was labeled a “sellout”.

mchammer2

Now… was I a fan of Hammer? Nah! Even as a kid, I wasn’t exactly enthralled by most of his big hits. I mighta liked a couple of his videos, but I wasn’t rockin’ with most of ‘em. I wasn’t watching Hammerman, and I thought “2 Legit 2 Quit” was awful. I also laughed my ass off when Paul Mooney joked about  that fateful KFC commercial, which is still one of the most unintentional/intentional racial innuendo advertisements ever. All that considered, I still can’t agree with the accusation that Hammer sold out- he simply got popular doing what he’d always done. It wasn’t his fault that MTV and mainstream media hopped on his dick, just like it wouldn’t have been Q-Tip’s if they hopped on his.

touchthis

If Hammer had ever professed to be some kind of supreme lyricist who made “real hip-hop”, and then he switched gears… maybe. If Hammer went out and told people “don’t listen to Ice Cube or KRS-One because that’s not what hip-hop is- I’M hip-hop”… maybe. Taking it past music, if Hammer had gotten rich and disassociated himself from the people who supported him on the way up… surely he could’ve been construed as someone who turned their back. But he never did any of that. He came in making a particular brand of music, and he continued to do that as he became more successful. Actually, there’s a lot of “real” rappers from back then that the same can’t be said about.

mchammerdoll

I was just recently having this debate on the SOHH.com message board, and my stance was that the LAST thing anyone should call Hammer is a sellout. Sure, he wasn’t hardly street-level (at least not music-wise) but it’s not ANY rapper’s dream to get a deal, make an album, and still be in the projects. Hammer gave back to the community he grew up in, and also gave jobs to his friends and many others who were otherwise struggling. He actually ended up takin’ a loss from doing that, because in his own words, all of those people turned their backs once he wasn’t “megastar MC Hammer” anymore.

hammerpumps

If anything, he sold out AFTER all the criticism. After he got dissed for his “hip-pop” music and his not-real-enough image, he decided it was a good idea to come back hard in ’94. So he put on his skullie and boots, and came back looking like he was on some type of gangsta shit. That made him MORE of a punchline because now, it was “look at Hammer tryna be hard now, nigga please!”. He couldn’t win for losing- the same people who didn’t like him before weren’t gonna switch up and start likin’ him then, no matter how many times he shouted out Tha Dogg Pound or mugged for the camera. And if that wasn’t enough, the “Pumps N A Bump” video certainly did it- nigga went from “we gotta pray to make it today” to postin’ up with Speedos on.

mc-hammer-now Today, Hammer generally gets respect from his peers. I think they realized that he wasn’t tryin’ to bastardize hip-hop as a genre, or even tryin’ to steer people away from those other artists. In fact, I’d even say his music opened a lot of people up to other rappers. I recall knowing white kids at my school who loved Hammer in ’90, but by ’92 were listening to Cypress Hill and Das EFX (who were about as far away from Hammer’s music as it got). At least a part of that came from them developing a sudden interest in rap music thru Hammer n’nem, and then tuning into the hip-hop video shows and seeing other stuff that they also found appealing.

Wack? Possibly so. Great MC? Maybe not. Sellout? Definitely not.


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