DANJ! Presents: Group Therapy, Pt. 1

05/25/2010

So… one day last week, I’m mindin’ my own business on Twitter, shootin’ the shit and whatnot. Suddenly, folk start talkin’ about the nominations for this year’s BET Awards. Now of course, I have no interest in seein’ the awards this year (especially after last year’s bullshit), but I go to check these nominees out anyway, right…

There’s three things I came away from it with: A) There’s no need for a Best Female Hip-Hop Artist category anymore, since there’s only one that’s been slightly relevant  in the last year,  B) Justin Bieber is the new face of blue-eyed soul (?), and C) R&B and Hip-Hop groups are at an all-time low. Any time The New Boyz (who have a total of one hit), Dirty Money (who haven’t dropped an album), and Young Money (who’s actually just a buncha solo artists who made an album together) are up for it… I guess all you gotta do is be a group to get into that category nowadays.

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Well, It’s A Group Thang…

08/19/2009

boyzIImen

Quick question: the hell happened to all the R&B groups?

Remember when every other week, there was a new act that consisted of three to five members? When names like Boyz II Men, SWV, TLC, Jodeci, and En Vogue were in the forefront, and every new group that came out was compared to them? Solo artists did their thing no doubt, but groups played a big part in the sound of R&B in the ’90s (and every decade prior, too).

swvJodeci

Of course, some of them were derivative and random as all hell, while others were so non-descript that they had no presence whatsoever. But a lot of the best music from that time period- even if it was just one song- came from trios, quartets, and quintets. The current lack thereof is something that I feel is a void in the music today, because there’s so much focus on solo artists now. There’s definitely some who are stars of their own merit, but there’s also some who’d possibly be much better off in a team effort.

As sorely missed as the group element is, I kinda understand why that could be. At the risk of bein’ dead-ass wrong (but a good chance of bein’ dead-ass right), I have some educated guesses as to why there are so few groups nowadays.

envoguetonytonitone

Dead Fukkin’ Presidents: It’s the thing that has split artists from their labels, producers, and eachother… and it’s definitely killed off more than its fair share of groups. Money has been at the center of too many breakups to name, but the story always ends up the same once it comes out. Since it’s well-known by now that artists really don’t make as much money as they appear to, it’s fair to assume that a lot of them just don’t see a future in accepting a small piece of a small pie.

new_edition_Tlc - Crazy Sexy Cool

“Ain’t Nobody Comin’ To See You, Otis”: My second guess is that with group efforts come different personalities, and sometimes even members with their own set of different personalities. Instead of just creating great music together, a lot of groups imploded because of a member who believed (or was led to believe) that he/she was bigger or better than the others. It’s the same shit that’s been goin’ on since the Temptations and the Supremes in the Motown era. You’d think they’d have seen the stories of other great groups that fell apart and learn from them, but even the best ones got trapped in the same predicament.

blackstreetdestinyschild

“They’re Allll Dooooomed”: My final guess is that labels have simply seen what the fate is for most R&B groups, and have decided that it’s just not worth it. Aspiring artists themselves don’t look to be in a group these days, whether they’re cut out to be solo or not. As I mentioned before in my “90s Girls” entry, a lot of them didn’t last past their second album- whether it was due to declining sales or parting of the ways. In some cases, these groups were pieced together in the first place, so the breakup was bound to happen eventually. It was just a matter of how long they’d take to get tired of pretending they were friends.

day26-nobitchassness

Nowadays, we’re left with… Day26, Pretty Ricky, and Electrik Red? Ehh. Sad to say, I think the influx of R&B groups in the ’90s mighta had an influence on the low demand for them now. Most didn’t last, damn near all of them broke up, and only a few have split and reunited (not that it mattered once they did). The few who managed to stay together got pushed out by the changing industry. To me, it sucks that there isn’t much of a place for groups in popular R&B (or hip-hop for that matter) today. Unfortunately though, it’s one of those things that suck for us as listeners, but make perfect sense for business.

After all, who the fukk needs harmony when we have Autotune, right?

Tony! Toni! Tone! “It Never Rains In Southern California” (1990)

TROOP “Spread My Wings” (1990)

Boyz II Men “It’s So Hard To Say Goodbye To Yesterday” (1991)

Jodeci “Stay” (1991)

TLC “Baby-Baby-Baby” (1992)

Shai “If I Ever Fall In Love” (Acapella Version) (1992)

SWV “Weak” (1993)

Hi-Five “Quality Time” (1993)

XScape “Just Kickin’ It” (1993)

BlackStreet “Before I Let You Go” (1994)

Az Yet “Last Night” (1996)

En Vogue “Don’t Let Go (Love)” (1996)

112 “Cupid” (1997)

Destiny’s Child “No, No, No” (1998)

Dru Hill “Beauty” (1998)

-D!


Summer Seven Series: 1991

07/01/2009

T2

OK, so… DanjLovesThe90s gets back to normal. Truth told, I almost wanna go in on ya man Joe Jackson for that ol’ bullshit he did, but the homiechick Jia pretty much summed it all up. I’ve also gotten my thoughts together on Mike’s passing even more than I had the other day. But what’s said is said… and now, the Summer Seven Series continues on with the year of 1991.

In ’91, I was going through the pre-teen motions and starting to have all kinds of different interests at once. The summer was pivotal for me because I ended my school year being comfortable in my youth, and by the start of the new one, I was about being what I thought was mature. I became less interested in cartoons and video games, and more conscious about my haircut being on-point and having the right shoes and clothes. Even more importantly than those concerns was the reason why they were so important to me by then: who else but the chicas.

90sheader

If I could’ve, I would’ve tagged along with my older brother all the time, because I wanted to emulate him. Everything he and his friends did just seemed like the way to be, so I was aiming to do as they did. But I was only 11, so I mainly hung with people my age and talked about stuff that none of us knew jackshit about. One funny story I recall was being on the phone with one of my friends, as he told me that some girl had jerked him off earlier. Not knowing what it meant, I said (loud as shit in front of my mother and sister) “She jerked you off? What’s that?” After I was told to get off the phone, my brother laughed his ass off and told me what it was.

“Yooouuung and duuumb” (c) Ving Rhames.

savknee

Even with these changes going on, I still maintained one of my interest from the “kid years”: wrestling. I watched that shit faithfully- and I don’t just mean catching it on the weekends. I mean USWA on Monday, Global on Tuesday, AWA on Wednesday, UWF on Thursday, and ending with WWF and WCW on Friday and Saturday. Actually, I watched a lot of TV whenever I wasn’t out tryin’ to get into whatever I thought I was getting into. I was also crazy about the movie Terminator 2: Judgment Day, which went super-hard- especially with the liquid metal T-1000 and Young John Connor (effeminate as he was) rockin’ the PE shirt.

’91 was a transitional period, with me in the middle of being a kid and what my perception of “growing up” was. It’s that time you look back at a few years later and realize you were way out of your league, and nowhere near ready to be grown up just yet. At the time, though, all I knew is that I wanted to dress like my brother and that I looooved titties. Everything else was still sorting itself out.

doo doo

The Danj! Summer Seven of 1991 (in no particular order):

Jazzy Jeff & The Fresh Prince “Summertime”: Do I uhhh… even need to explain this one?

EPMD feat. LL Cool J “Rampage”: Erick and Parrish collab with Uncle L on what’s still one of my favorites from their best album, Business As Usual. E sounds totally bored, but P and L murder it… as does DJ Scratch on the cuts. Slow down, baby.

Another Bad Creation “Playground”: Mike Bivins‘ boys keep rockin’ with one of those records I still enjoy the shit out of, although I prob’ly shoulda BEEN stopped liking at my age.

Boyz II Men “Motownphilly”: Biv scores again with a group that made their debut with this song and went on to be the biggest male R&B group of the decade.

2 Hyped Brothers & A Dog “Doo Doo Brown”: Put yourself in my position- it’s the summer of ’91, you live in Baltimore, and your sense of hearing is intact. You couldn’t have avoided lovin’ this shit if you wanted to. Shoutout to Frank Ski.

Brand Nubian “Slow Down”: A rap song that denounces money-hungry promiscuous women, and it was actually a hit. What’re the chances of that happening again?

Hi-Five “I Like The Way (The Kissing Game)”: At the end of the year, my music teacher always had the students do individual “Lip Sync” performances on tape that we’d be graded on for the final quarter. This is the song I chose. And no, I don’t have that video- HA!

’92 comes on Monday. AND IN CASE YOU MISSED IT: Summer Seven 1990

-D!


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