DANJ! Presents: 25 For Love, Pt. 1 (#25-16)

02/14/2011

I have a love/hate relationship with love songs. I’ve had times when I listened to them out of being in love or at least catchin’ some kinda feelings. Other times, I’ve listened to them while in “maaannn, fuck love” mode. There was a time when I was a kid who had no real grip on matters of the heart and all the highs and lows they entailed. Back then, I just liked the way they sounded. Nowadays, I feel the various emotions of those songs- whether they be about infatuation, bitterness, appreciation, or heartbreak. This week, I drop 25 in particular that I’ve loved for years and continue to. Here we go…

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AllTime8: Shoulda Been A Single

09/25/2010

You ever heard a song on an artist’s album, and wanted it to be the next video, or the song they played on the radio? Well, around the mid-’90s after I got my turntables and went record-coppin’ crazy, I did the same. I always kept up on what all the new singles were, but as I stayed up on those, very rarely was I buying full-length albums. When I did get the albums, being the music nerd I was, I’d try to predict what the forthcoming singles were gonna be. Sometimes, I was correct (D’Angelo‘s “Lady” and DMX‘s “Ruff Ryders Anthem” being two correct guesses I made)… other times, not so. In this installment of the AllTime8, I drop eight instances in which I was wrong, but perhaps should’ve been right. You be the judge…

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S, S, Double, Double U, To The V

12/01/2009

First off, welcome to December on DanjLovesThe90s, where I’ll not only be covering my usual ’90s madness, but a few notable things from this decade as well. Everyone’s done their best 50 albums and best 200 singles and best 500 Youtube videos and whatnot, so I won’t bother with that. But there’s some stuff I did wanna speak on, because I was still into music during the ’00s (although considerably less as the years went on).

But today, I’m here to talk about three girls who pretty much popped up out of nowhere in late-’92 and had become kinda like a big deal by mid-’93. Their original name prior to coming out was TLC (Taj, Lelee, & Coko), but due to the existence of this other group you may have heard of, they couldn’t keep it. Instead, they decided to call themselves Sisters With Voices, also known as SWV.

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Well, It’s A Group Thang…

08/19/2009

boyzIImen

Quick question: the hell happened to all the R&B groups?

Remember when every other week, there was a new act that consisted of three to five members? When names like Boyz II Men, SWV, TLC, Jodeci, and En Vogue were in the forefront, and every new group that came out was compared to them? Solo artists did their thing no doubt, but groups played a big part in the sound of R&B in the ’90s (and every decade prior, too).

swvJodeci

Of course, some of them were derivative and random as all hell, while others were so non-descript that they had no presence whatsoever. But a lot of the best music from that time period- even if it was just one song- came from trios, quartets, and quintets. The current lack thereof is something that I feel is a void in the music today, because there’s so much focus on solo artists now. There’s definitely some who are stars of their own merit, but there’s also some who’d possibly be much better off in a team effort.

As sorely missed as the group element is, I kinda understand why that could be. At the risk of bein’ dead-ass wrong (but a good chance of bein’ dead-ass right), I have some educated guesses as to why there are so few groups nowadays.

envoguetonytonitone

Dead Fukkin’ Presidents: It’s the thing that has split artists from their labels, producers, and eachother… and it’s definitely killed off more than its fair share of groups. Money has been at the center of too many breakups to name, but the story always ends up the same once it comes out. Since it’s well-known by now that artists really don’t make as much money as they appear to, it’s fair to assume that a lot of them just don’t see a future in accepting a small piece of a small pie.

new_edition_Tlc - Crazy Sexy Cool

“Ain’t Nobody Comin’ To See You, Otis”: My second guess is that with group efforts come different personalities, and sometimes even members with their own set of different personalities. Instead of just creating great music together, a lot of groups imploded because of a member who believed (or was led to believe) that he/she was bigger or better than the others. It’s the same shit that’s been goin’ on since the Temptations and the Supremes in the Motown era. You’d think they’d have seen the stories of other great groups that fell apart and learn from them, but even the best ones got trapped in the same predicament.

blackstreetdestinyschild

“They’re Allll Dooooomed”: My final guess is that labels have simply seen what the fate is for most R&B groups, and have decided that it’s just not worth it. Aspiring artists themselves don’t look to be in a group these days, whether they’re cut out to be solo or not. As I mentioned before in my “90s Girls” entry, a lot of them didn’t last past their second album- whether it was due to declining sales or parting of the ways. In some cases, these groups were pieced together in the first place, so the breakup was bound to happen eventually. It was just a matter of how long they’d take to get tired of pretending they were friends.

day26-nobitchassness

Nowadays, we’re left with… Day26, Pretty Ricky, and Electrik Red? Ehh. Sad to say, I think the influx of R&B groups in the ’90s mighta had an influence on the low demand for them now. Most didn’t last, damn near all of them broke up, and only a few have split and reunited (not that it mattered once they did). The few who managed to stay together got pushed out by the changing industry. To me, it sucks that there isn’t much of a place for groups in popular R&B (or hip-hop for that matter) today. Unfortunately though, it’s one of those things that suck for us as listeners, but make perfect sense for business.

After all, who the fukk needs harmony when we have Autotune, right?

Tony! Toni! Tone! “It Never Rains In Southern California” (1990)

TROOP “Spread My Wings” (1990)

Boyz II Men “It’s So Hard To Say Goodbye To Yesterday” (1991)

Jodeci “Stay” (1991)

TLC “Baby-Baby-Baby” (1992)

Shai “If I Ever Fall In Love” (Acapella Version) (1992)

SWV “Weak” (1993)

Hi-Five “Quality Time” (1993)

XScape “Just Kickin’ It” (1993)

BlackStreet “Before I Let You Go” (1994)

Az Yet “Last Night” (1996)

En Vogue “Don’t Let Go (Love)” (1996)

112 “Cupid” (1997)

Destiny’s Child “No, No, No” (1998)

Dru Hill “Beauty” (1998)

-D!


Summer Seven Series: 1993

07/13/2009

radioraheem

Wild as it is, in ’93, a year like 1977 seemed like ancient history to me. Now here I am in 2009, realizing that a 13-year-old on his way to 14 (as I was at the time) probably looks at ’93 the same way. Good God Damn… 16 years! Wow.

strapped

This summer was a turning point for me because I was headed into high school, and I was gettin’ “serious” about music. I wouldn’t say I was serious in terms of having a clue about the business or recording in a studio, but I was at a point where I wanted to take it further than my room. Me and my boy Ray started rappin’ around the same time, so we grouped up and called ourselves Crhyme Inc. I was writing my lyrics and his, and we were always working on our lil’ homemade tapes everytime we hung out. Most of our summer consisted of making tapes, watching Strapped a million times, and listening to DJ Celo & Iran on 93.9 every weekend.

I know it’s cliche, but I was really about living it at the time. Looking back, I was a little “extra” with it, but that’s how crazy about it I was. I would do things like walk around with a knapsack full of tapes and my radio turned all the way up, on some young Radio Raheem shit, just because I thought it was the most hip-hop thing to do. I even remember one time going to someone’s party with my Walkman and just listening to tapes while everybody else was socializing. Totally obnoxious, absolutely self-absorbed… but genuinely in love with the music and the lifestyle- that’s the best way I could describe how I was.

CRYSTAL

Outside of music-related stuff, I was still trying to be older than I was. I liked the fact that I was on the way to high school, because I was always ready to break out of being “young”. I was still immature as shit, but I had my own skewed views of growing up, so I was glad to be out of middle school. It was so major to me, I wanted to have a whole new style and everything. I even went and got myself a baldie, which was NERVOUS- I had no business havin’ a haircut that made my big-ass head more obvious.

By the end of the summer, for whatever reason, I thought I was just gonna walk into high school and be the end-all be-all. I thought I was gonna style on niggas with my bandanas and hoodies, like nobody else was dressing the same way or some shit. I snapped out of that, but you still couldn’t tell me I couldn’t beat the world. I actually wish I had maintained a little of that brashness as the years went on. Either way, for the time being, I was coming of age.

swvrighthere

The Danj! Summer Seven of 1993:

2Pac featuring Shock G & Money B “I Get Around”: Originally meant to be a Digital Underground song that featured ‘Pac, DU gave it to him and changed his whole career in the process. MAJOR record for that whole summer.

Kool G Rap & DJ Polo “On The Run” (Dirty Untouchable Remix): A good two years before NY rappers started jumping headfirst into the whole organized crime thing, G had it in a smash with this one.

SWV “Right Here (Human Nature)”: MJ‘s classic gets reworked for the Sisters With Voices to create a classic of their own. Shoutout to Pharrell with the famous “S, S, double, double” adlib.

Ice Cube “Check Yo’ Self” (Remix): O’Shea channels “The Message” and sends a message of his own, in classic Cube fashion. Bitch, you betta run a check.

The Beatnuts “Reign Of The Tec”: I was hardly gangsta, but damn if hearing Juju say “yo, I’ll shoot ya moms if I have to” didn’t make me screw my face up a lil’ harder every time I heard it.

Christopher Williams “Every Little Thing U Do” (Remix): The “DWYCK” beat rocks for a whole ‘nother summer, courtesy of “the educated brotha from the bank”.

MC Breed featuring 2Pac “Gotta Get Mine”: Breed and ‘Pac drop the “get-yours” anthem for the year (not to mention, the “Thug Life” tattoo makes its debut in this video) R.I.P. to both.

IN CASE YOU MISSED ‘EM: Summer Seven 1990… and 1991… and 1992.

-D!


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