The Total Package

10/27/2010

…Annnd as HipHopSoulWeek continues on DanjLovesThe90s

They always talk about those definitive R&B albums of the ’90s. You know-12 Play, 411, Motownphilly, Brown Sugar, My Life, CrazySexyCool, etc. And no doubt, they all did a lot to shape the sound as those years went on. But recently, when asked to name some of my favorite ’90s R&B albums, one of the first that popped in my head was one that rarely ever gets mentioned. It’s a personal classic of mine, and definitely one that represents the Hip-Hop Soul era to the fullest- the self-titled debut album by the “bad girls of Bad Boy“, Total.

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AllTime8: This Is The (Slept-On) Remix

10/25/2010

Welllll… it’s Hip-Hop Soul Week on DLT90s, as promised at the top of the month. I’ll be showin’ love to a classic hip-hop soul album from ’96, and makin’ the week complete with the DLT90s HipHopSoulMix, but first things first…

While New Jack Swing was on the way out, it gradually transformed into a new subgenre that relied heavily on remixes. Whereas the New Jack sound fused hip-hop and R&B during the late-’80s, the Hip-Hop Soul sound represented a more aggressive, breakbeat-driven style for the ’90s. Mary J. Blige and Puffy popularized it with What’s The 411? in ’92, which later carried over to become a big part of The Bad Boy Sound. By ’95, it was almost uncommon for there to be a single that didn’t either feature a rapper or have a remix featuring one. Most times, these remixes were also built on samples of past rap hits, which further made them palatable to the hip-hop audience. While some of them blew up and took on lives of their own, there were others that only got minor play or none at all. Either way, even though this trend eventually went on overload and played itself out by the end of the decade, it definitely spawned some memorable tracks. Annnd so, in jumping off Hip-Hop Soul Week, here are eight remixes that didn’t really make it over the hump, but to me were still hittin’:

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DLT90s 1 Year Anniversary Special: THE FIDDY

06/01/2010

Doooo youuuu knoooow what todaaay is? It’s my anniversary. Yeaaah. Anniversary.

Lemme tell y’all a lil’ about me. If there’s one thing I love talkin’ about, it’s old music, movies, and TV. Actually that’s three things, but no need to be technical. I’m an admitted nostalgia addict. It’s almost a prerequisite that any future wife and/or ex-wife of mine will have to have this same quality, or shit prob’ly ain’t gonna work. There’ll be no Waka Flocka played at my our reception. Due to this addiction of sorts, and rediscovering my interest in writing over the last two years, I started DanjLovesThe90s one year ago today.

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Man Behind The Music: Timbaland

05/05/2010

As I sit here listenin’ to this “Timbo The King!” playlist on my obscenely incredible iPod, I gotta say Timbaland is a bad muh’fukka. I’ve been a fan of his beatwork over the better part of the last 14 years or so, as he’s constantly dropped too many game-changing tracks to name.

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The ’90s Loved The ’80s: “White People Music”

01/25/2010

Growing up in the ’80s, once I got hooked to music, I started listening to everything. I listened to both the R&B and pop stations, watched any video show I could find on TV, the whole shit. Much to the surprise of my friends around my way, I liked a lot of what was often referred to as “white people music”. At the time, I hadn’t looked at or listened to it that way- it was all just music to me. The only real difference I knew was that there were “singin’ songs” and “rappin’ songs”. I could rock with this just as much as I did this with no problem. Unfortunately for me, I got clowned more than a lil’ bit about that shit.

Apparently, a lot of rappers and producers must have felt the same way. Along with the fact that some white artists used to be played on urban stations, some of these people seemed to have grown up equally exposed to “white people music” from the MTV era. From Method Man referencing a Hall & Oates hook to (of course) Puffy‘s use of The Police’s “Every Breath You Take”, lots of pop hits have been sampled/flipped/interpolated/etc. in the hip-hop world. It especially started happening more frequently in the last couple years of the ’90s, which brings us to today’s entry.

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Summer Seven Series: Extra

09/19/2009

dj-danj

Safe to say, the Summer of ’09 is over. Before Fall officially arrives on Monday, and as a bonus to those who followed the Summer Seven Series between June and August, here’s some that were thisclose to making the cut, but ultimately fell victim to the numbers game. Had it been the Summer Eight Series, and thus a lil’ less catchy of a title, these would’ve been a shoe-in.

And as usual… You Want ‘em? Freakin’ click ‘em.

1990: Special Ed “The Mission”: Back when a rapper could come out with silly Dick Tracy-esque stories as long as they could rhyme, Ed delivers a memorable tall tale about self-destructing messages and ninjas and shit.

1991- Tony Terry “With You”: The homie’s orange-tinted fade was somethin’ kinda nervous, but hell if he didn’t drop a classic ballad here. Even at 11, with no concept of love, I used to sing this shit like I had A clue.

1992- Grand Puba “360 (What Goes Around)”: After departing from Brand Nubian and leaving Sadat and Jamar to their own devices, Puba drops his first solo endeavor, Reel To Reel. With “360″ as the lead single, Puba (briefly) lived up to the buzz he had during that time.

1993- LL Cool J “Pink Cookies In A Plastic Bag Getting Crushed By Buildings” (Remix): One of the longest, dumbest song titles of all time, but one of the few redeeming things about the crazy, trigger-happy LL Cool J of ’93.

1994- Zhane “Sending My Love”: Zhane, with their pre-Amber Rose scalp-cuts, keep the hits rolling with “Sending My Love”. Might be the only single they ever had that wasn’t about DJ’s or dancing… more on that later.

1995- Junior M.A.F.I.A. “Player’s Anthem”: The M.A.F.I.A. as a whole might’ve been a fail, but this joint was kinda like a big deal. Mostly notable for the rapping debut of Lil’ Kim, a year removed from her Oreo-cookie-eatin’, pickle-juice-drinkin’ debut.

1996- Ghost Town DJ’s “My Boo”: In ’96, I avoided most of that bass stuff like the plague- liked it earlier in the decade, but not so much by then. But this one was an exception, which possibly had to do with the semi-emasculation I endured during my friendship with Jada.

1997- CRU feat. Slick Rick “Just Another Case”: CRU came and went fairly quickly, but they did drop a solid album, Da Dirty 30. One of those 30 tracks on the album (!) was this single featuring Slick Rick, who’d just been released from the slam.

1998- Cam’ron feat. Mase “Horse & Carriage”: Thrilla Killa Cam scores his first radio hit with the help of the big homie Betha, and educates us on the virtues of Puerto Rican Judo.

1999- Total feat. Shyne “Sittin’ Home” (Remix): This is the end of the road for the Bad Boy girls, and the beginning of the long, long road for Bad Boy’s then-new shooter signee Shyne. Lil’ bit of controversy around this one, with the guest bearing the burden of some vocal similarities that were a bit too close for comfort.

Annnd that’s all. See y’all next Fall.

-D!

R.I.P. to Grandmaster Roc Raida.


Well, It’s A Group Thang…

08/19/2009

boyzIImen

Quick question: the hell happened to all the R&B groups?

Remember when every other week, there was a new act that consisted of three to five members? When names like Boyz II Men, SWV, TLC, Jodeci, and En Vogue were in the forefront, and every new group that came out was compared to them? Solo artists did their thing no doubt, but groups played a big part in the sound of R&B in the ’90s (and every decade prior, too).

swvJodeci

Of course, some of them were derivative and random as all hell, while others were so non-descript that they had no presence whatsoever. But a lot of the best music from that time period- even if it was just one song- came from trios, quartets, and quintets. The current lack thereof is something that I feel is a void in the music today, because there’s so much focus on solo artists now. There’s definitely some who are stars of their own merit, but there’s also some who’d possibly be much better off in a team effort.

As sorely missed as the group element is, I kinda understand why that could be. At the risk of bein’ dead-ass wrong (but a good chance of bein’ dead-ass right), I have some educated guesses as to why there are so few groups nowadays.

envoguetonytonitone

Dead Fukkin’ Presidents: It’s the thing that has split artists from their labels, producers, and eachother… and it’s definitely killed off more than its fair share of groups. Money has been at the center of too many breakups to name, but the story always ends up the same once it comes out. Since it’s well-known by now that artists really don’t make as much money as they appear to, it’s fair to assume that a lot of them just don’t see a future in accepting a small piece of a small pie.

new_edition_Tlc - Crazy Sexy Cool

“Ain’t Nobody Comin’ To See You, Otis”: My second guess is that with group efforts come different personalities, and sometimes even members with their own set of different personalities. Instead of just creating great music together, a lot of groups imploded because of a member who believed (or was led to believe) that he/she was bigger or better than the others. It’s the same shit that’s been goin’ on since the Temptations and the Supremes in the Motown era. You’d think they’d have seen the stories of other great groups that fell apart and learn from them, but even the best ones got trapped in the same predicament.

blackstreetdestinyschild

“They’re Allll Dooooomed”: My final guess is that labels have simply seen what the fate is for most R&B groups, and have decided that it’s just not worth it. Aspiring artists themselves don’t look to be in a group these days, whether they’re cut out to be solo or not. As I mentioned before in my “90s Girls” entry, a lot of them didn’t last past their second album- whether it was due to declining sales or parting of the ways. In some cases, these groups were pieced together in the first place, so the breakup was bound to happen eventually. It was just a matter of how long they’d take to get tired of pretending they were friends.

day26-nobitchassness

Nowadays, we’re left with… Day26, Pretty Ricky, and Electrik Red? Ehh. Sad to say, I think the influx of R&B groups in the ’90s mighta had an influence on the low demand for them now. Most didn’t last, damn near all of them broke up, and only a few have split and reunited (not that it mattered once they did). The few who managed to stay together got pushed out by the changing industry. To me, it sucks that there isn’t much of a place for groups in popular R&B (or hip-hop for that matter) today. Unfortunately though, it’s one of those things that suck for us as listeners, but make perfect sense for business.

After all, who the fukk needs harmony when we have Autotune, right?

Tony! Toni! Tone! “It Never Rains In Southern California” (1990)

TROOP “Spread My Wings” (1990)

Boyz II Men “It’s So Hard To Say Goodbye To Yesterday” (1991)

Jodeci “Stay” (1991)

TLC “Baby-Baby-Baby” (1992)

Shai “If I Ever Fall In Love” (Acapella Version) (1992)

SWV “Weak” (1993)

Hi-Five “Quality Time” (1993)

XScape “Just Kickin’ It” (1993)

BlackStreet “Before I Let You Go” (1994)

Az Yet “Last Night” (1996)

En Vogue “Don’t Let Go (Love)” (1996)

112 “Cupid” (1997)

Destiny’s Child “No, No, No” (1998)

Dru Hill “Beauty” (1998)

-D!


Summer Seven Series: 1996

08/03/2009

danj!

’96what a summer. By then, I was starting to perform at showcases here-n-there, improving with the DJing, and generally enjoying my responsibility-free life. I wasn’t rockin’ with Aisha around that time, but I was off into other stuff (so to speak) and lookin’ forward to my senior year.

bigblunts

I still remember the last day of school, riding home on the bus listening to Lost Boyz’ Legal Drug Money. That same day, I went to my father’s house in Bel Air and chilled out there with my little younger brother Erin for a good 2-3 weeks. That was an interesting lil’ “vacation” because it was the first (and 5th, and 10th) time I smoked weed. It was also interesting because this nigga hung around all kinds of muh’fukkas. So we’d do anything from smokin’ with this grungy, Grateful Dead-shirt wearin’ kid to chillin’ with some lil’ rich girl who stayed in her parents’ liquor cabinet. It was some different shit for me, but I wasn’t mad at it.

I also spent a lot of time at Music Liberated on Saratoga St. that summer. That was where a lot of DJ’s around town went for records, because they always had them before most other stores. I was trying to make some kinda breakthrough by meeting people and getting my tapes heard, so I would hang out at the store, sometimes just to listen to records all day. I’d also occasionally make copies of a tape, go up there, and give them to everybody at the store for the fuck of it.

The one thing I remember most about the summer of ’96 was my homegirl Jada. At that point, she was the only girl I knew that I could talk music with, not to mention the only girl I actually liked talkin’ to for hours at a time. It was nothin’ for us to start a phone conversation at 10 p.m. and finally end it as the sun was coming up. It didn’t matter if the convo was about something as simple as how funny Chris Rock’s Bring The Pain was- we’d talk all night like we hadn’t spoken in years. We had lil’ sayings/inside jokes, passed notes in school all the time, and rarely went one full day without callin’ each other.

It’s wild in hindsight, because even though it never went past cool-level, everybody around us didn’t seem to wanna believe that. People in school SWORE we were GTD-in’, my friends thought I was in love with her, and her friends didn’t understand why we didn’t get together. I def. wouldn’t have minded, but we were just cool-as-fukk, because we had a lot of similar interests (and common enemies). Sometimes I think it was thisclose to gettin’ there… but a poor choice of words on my behalf deaded whatever chance existed, and from there things broke down FAST. By September, we were in the hallway at school exchanging “fuck you”‘s like ‘Pac and Janet in Poetic Justice.

There’s a GANG of songs from ’96 (including the seven featured this week) that always remind me of Jada to this day. I mean, I don’t sit around obsessing over her all the time, but the songs remind me because we always had the radio on in the background whenever we talked on the phone. I’ll always remember that summer for how tight we were. Well, that and the obscene amount of weed I smoked with E.

total

The Danj! Summer Seven Of 1996 (Want ‘em? Freakin’ click ‘em):

2Pac “Hit ‘Em Up”: I’ll always maintain that I was a bigger fan of B.I.G. than I was of ‘Pac. But damn if I didn’t play this to death. That rant at the end is timeless.

Case feat. Foxy Brown “Touch Me, Tease Me”: Young Inga meets some random new R&B cat, and a classic is made. And for the record, the faces this nigga Case makes in the video used to have me geekin’.

Jay-Z feat. Foxy Brown “Ain’t No Nigga”: More Young Inga! Here, she meets some random kinda-new rap dude, and a classic is made. Who coulda correctly guessed which one would end up being the bigger star?

Nas feat. Lauryn Hill “If I Ruled The World”: Nas might have caught a lil’ flack for going mainstream-ish with It Was Written, but he made it count with this joint (especially with Lauryn on the hook). I miss Ms. Hill.

Gina Thompson feat. Missy Elliott “The Things You Do” (Bad Boy Remix): Hee-hee-hee-hee-how-hee-hee-hee-hee-hee-hee-HOW the hell did that line catch on like it did? Who knows, but this shit was hot.

LL Cool J feat. Total “Loungin” (Remix): Of course, I love most of those old ’90s-jack-the-’80s joints, and this might be one of my favorites. Who do you love?

Total feat. Puff Daddy “Kissing You (Oh Honey)”: More Total! This song never fails to make me nostalgic- even the video has “summer ’96″ written all over it.

AND IN CASE YOU MISSED ‘EM: The other Summer Sevens are HERE.

-D!


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